|
Evelyn
by
Jane Ariel
|
|
I enter her room without knocking. My mother is lying there dozing, her legs draped over the side of the bed, feet barely touching the floor, her head resting on the pillow. I find her like this often, a tiny old woman twisted in day-dreaming sleep. "Mother," I say softly, wanting her to wake but also hesitant to disturb. I wait and say again, "Mama." Her eyes open. She tries to focus as if arriving from some faraway, blurry place where I sense she spends much time. She recognizes me and says, "I love you," almost like a rehearsed phrase etched in layered memory. Her mind has in most ways slipped far away. She has no idea where she is, what she just did, or even how to get to her own bathroom ten feet away.
I am very grateful she has chosen to love me so tenderly these past few years. She could have turned away because I have so much control over her life, and she hates that. She was feisty and fiercely independent in her younger days—and sometimes jarringly critical.
Mother still has those moments. We were sitting together at dinner one time with three other residents in her "retirement community" who were eating silently, lost in their own worlds. Unexpectedly she said in a loud voice, "These people are so stupid and mean." I was shocked and found myself cringing. After a minute I said in a quiet voice, "Mom, you can’t say that. They are people like the rest of us, and they can hear what you say." She responded with disdain, "You don’t know anything. You don’t live here. Don’t come and tell me what to do!"
Mom is deeply alone. Making new friendships or connecting with people as she used to do so easily eludes her now. She can’t remember names or most conversations. When sitting anywhere outside her room, she often says, "Hello, sweetheart," to any person who comes into the range of her eyesight or hearing. Many know her, humor her, and respond gently. "Hi, Evelyn. How are you doing today?"
"Where are the children?" she asks me, as we continue our conversation on her bed. "There are so many of them, and you’re always taking care of them. You work too hard." She’s quite fearful when I bring the young great-grandchildren to visit, because she’s afraid they’ll cause her to fall. The last time she fell—because of her own unsteadiness—she ended up in the hospital for two months. She can’t keep track of how many children she or I have or where they are. Sometimes I remind her with sadness that two of her sons had brain cancer and died, as I try to help her make sense of the familial past and present.
When we meet other people in the home, she often introduces me as her mother. I usually let that pass because I do in fact act like her mother. I buy her clothes—she still knows exactly what she likes, and when we try them on, slowly and somewhat painfully, she says, "No, this is not good," or "I like this color," or sometimes impatiently, "It’s fine, it’s fine. Why do you bother? I don’t need anything." I control her money. I talk to the administration of her residence when she complains or I want her to receive more attentive care. I am grateful that they still let her stay, given the state of her dementia. She can do nothing for herself. The attendants dress her, change her diapers, which she soils regularly, keep her clean, and direct her to activities, many of which she now refuses to attend because she is too tired. She often gets obstreperous with the helpers because she is offended by her lack of privacy when virtual strangers take off her pants in order to clean her up. She’s right to be offended. I don’t know what to do about it.
At the same time, though, her intuitive capacity can still be stunning. She senses relationships with the same acuity she always did; she has her finger on some political pulse, even though she doesn’t read any more; and she remembers the essence, if not the details, of past experiences. Sometimes when I am sitting near her, holding her hand or cutting her fingernails, I suddenly remember the vibrant, dogged woman who almost single-handedly kept Manhattan’s Union Square an historic monument, protecting the area from developers. Or the woman who generated a program and money for talented inner-city kids so they could develop their artistic gifts, or the woman who was the prominent force in building an AID’s house in her neighborhood. She was one of sixty characters chosen eight years ago to be in a book that describes unique and important people in the landscape of New York. Her section is entitled "The Little Old Agitator." She was 84.
One day, not so long ago, when we were talking on a couch in the hallway of her residence, she again said, "I’m so glad you are my mother," in her loving and appreciative way. This time I said "You know, Mom, I’m not your mother—I’m your daughter." She thought a while and then asked with curiosity, "You are? Then where is my mother?" I answered her: "Your mother died many years ago." Visibly taken aback, she said, "No. Are you sure?" I told her that I was sure and asked her if she remembered that her mother had visited her in New York, looked at retirement homes, decided negatively about staying, and returned to Florida, dying shortly thereafter. "No." she said. "I don’t remember that." We continued our conversation for a time, and then I said I had to return to work. She replied, as she always does, "You work too hard. You should rest more."
I noticed that she seemed unusually sad. "Are you upset that I am leaving?" I asked. She was quiet for a few minutes. Tears were rolling down her face. "It’s my mother. I can’t believe she’s gone. I miss her so much." Tears also filled my eyes as I sat with my arms around her. I was acutely aware of her severe diminishment, her impending death—as well as my own complicated grief. I asked myself why she is alive if she no longer experiences any pleasure. My life would be easier if she were dead. I worry that I never give enough to make her happy.
In the midst of these thoughts, I realize that it is getting late. I get up, kiss her gently, and walk to the outside door. As I start to leave the building, I turn and look back. Mom is sitting on the couch alone in the hallway, having no idea at all what she is supposed to do next.
|
Jane Ariel is a family therapist and on the faculty of the Wright Institute in Berkeley, CA. The parent of partnered sons and the grandmother of three, she recently was the
primary caregiver to her mother, who has now passed away. She travels widely, is trilingual, and is a national consultant with Visions, Inc. on issues of multiculturalism. She has
written articles on alternative families, Jewish mothering, and on a women's group that has been together for twenty years.
|
|
Comments
Rachel Kaplan
01 Feb 2010, 11:20
Thank you Jane for so clearly and compassionately capturing the
role-reversal so prevalent in mother-daughter relationships, and the
painful disorientation of a life turned upside down and inside out. I
appreciated your vivid and down-to-earth reflections on a day in the life
of both mother and child. Thank you Jane for being such a tour de force in
your own life, and leading the way with love. You inspire me!
louise Weinberg
26 Jan 2010, 03:51
I cried as I read this (and it takes a lot to make me cry), as I resonated
so much with it.My own mother died two months ago(at the age of 100)and
suffered a similar type of dementia.I was an only child and she always said
to me "I don't know who you are, but you look familiar." She became more
and more like an infant. My last outing with her before she died, I took
her to the Kandinsky show at the Guggenheim Museum in NYC where she
lived.She was in a wheelchair and grasped my hand as we walked, somehow
sensing she loved me, despite not knowing who I was. She was like a baby,
she slept thru most of the exhibit, but I wanted to get her out of her
house (she remained in the same apartment for 60 years, refusing to move).
She too confused the grandchildren and me. She couldn't keep track of who
was the mother,the grandchild etc. Excuse my ramblings, but your story
touched me deeply, and allowed me to grieve a little more, especially for
the sadness of her life at the end. her death came as a relief- and this
can cause a lot of guilt.Thank you for helping me do a little more grieving
about the dementia that robs us of the person we knew.
Arina Isaacson
25 Jan 2010, 22:18
The complexity of feelings that you've captured here is so bittersweet and
beautiful. Thank you Jane.
Vivien Henderson
25 Jan 2010, 19:54
Jane I knew nothing about you before I read your story of Evelyn, your
mother and yet in the telling of the story, for me you revealed so much
about who you are that I wasn't in the least surprised when I read further
that you are a therapist. Thank you for sharing this story I was deeply
touched by it.
Laara WilliamSen
25 Jan 2010, 19:42
"Evelyn" the story is quitessential and as such touched me deeply as I'm
certain it will touch others because somehow we all know this. We know the
elders that suffer and that our society does what it does with the elderly.
This is a beautiful and tragic story. In other cultures, in other times
the elders were revered and cared for by a loving community even in their
diminishing years. As a daughter who has had her mother pass on and
recently a dear friend, I relate deeply to your sense of powerless, your
unfailing love and your grief, Jane. Thank you for having the courage to
write this story.
Jane Little
18 Jan 2010, 20:56
Jane. Thank you for this courageous essay.
Liz Raymer
17 Dec 2009, 20:48
Jane: I wept of course! I am so privileged to have know the Evie that
was!
Nancy Julien Kopp
17 Dec 2009, 18:06
I read this with a lump in my throat and a tear in my eye, remembering a
visit to my own mother in a nursing home. How she had changed from the
vibrant woman I once knew to a sad, confused, lonely. sometimes difficult
being. Where had my mother gone? You've captured the feelings so very well
in your essay. We draw comfort from others, and you've given it to many.
Thank you.
Susan Brown
16 Dec 2009, 19:50
Jane,
This is beautiful, moving, and so brave. Anyone who has experienced this
bittersweet and painful time with a parent can identify with your
experience.
Susan Brown
|
|
|