All Photoart by Paula Schultz, unless otherwise noted


Everyday Heroism: An Introduction

During the Covid lockdown, I became something of a movie buff. Not in theaters, of course. Frankly, I’m not sure what people miss about movie theaters. The huge flat screen in our living room plays just fine for anything that doesn’t feature entire armies of souped-up superheroes locked in armored battle with ten-foot robots against the backdrop of an immense green-screened land- or star-scape. We get to pause it when we need to, talk when we want, and eat something other than two-day-old popcorn. And we don’t have to listen to other people talk, chew, snore, or text.


You wouldn’t know it from the summer listings of most movie theaters in non-Covid times, but there are lots and lots of charming, thrilling, heartstopping, heartbreaking, and engrossing films that don’t include the obligatory scene of the protagonist fighting off six bad guys at a time with guns, bricks, bats, or whatever else is handy and lethal. Most of those non-avenger movies are not made in the United States. They are, however, made almost everywhere else. We started with French films, then branched out to China, Japan, Spain, Mexico, Germany, India, Iran. I especially recommend taking a look at some Iranian films. At the very least, the wrenching ordinariness of the characters, their fumbling attempts at kindness, their everyday embarrassments, the small mistakes that they regret— in other words, their absolute similarity to ourselves and the people we meet and know—cannot help but remind us of what we already know: that the people we demonize, the people we call our enemies, are not demons, not even bad at the core, they are just people; they are us.

The directors, cinematographers, screenwriters, and actors in these films gave me many blissfully immersive hours when I could forget about pandemics and viruses and Trumpists and the greed and selfishness of too many Americans. Each movie has a lot to teach, and you can benefit from those teachings without the aid of classes or primers. But the more you get into the world of film, the more you want to learn about it. So I must give a well-deserved shout-out to two of my gurus, Shelly Isaacs and Annette Insdorf, who have each brought to Zoom their very different but equally fascinating and illuminating film courses. Shelly brings his boundless energy, his encyclopedic knowledge of world film, and his ability to make us love every film we’ve seen, even those we were sure we didn’t, to an online weekly seminar sponsored by Florida International University’s Osher Lifelong Learning Institute. And Annette, who teaches at Columbia, combines her remarkable erudition and her deep knowledge of the works and ideas of some of the world’s most illustrious filmmakers with her palpable love of film in her Sunday online course, courtesy of New York’s 92nd Street Y.

One of the many lessons of world film is that the most heroic actions are performed by quite everyday people. Nor is heroism at its starkest, or most terrifying, or even most, well, heroic, when it involves tossing about giant buildings, beating up suspicious (i.e., ethnic) strangers, or dodging bullets. The most heroic acts are those done quietly, repeatedly, sometimes dutifully, often unwillingly, usually at great personal cost, but always in aid of someone else.

For an example of true heroism in action, watch Sarbajaya in Satyajit Ray’s masterful Apu trilogy – a mother, not always a patient or demonstratively loving one, who perseveres, silently but stoically, for the sake of her children, through poverty, eviction, illness, and death. Or consider Valentine, whose youth and optimism and above all generosity of spirit, bring Krzysztof Kieślowski’s Three Colours: Red to its stunningly embracing and life affirming conclusion. And then there is Elsa, the German war widow in Jean Renoir’s epic masterwork La Grande Illusion, whose kindness to two French soldiers, escapees from a German prisoner-of-war camp, is enough to close the gap between enemy nations. And one more, from Iranian director Asghar Farhadi’s brilliant and disturbing A Separation. Termeh, the shy and book-loving daughter of a divorcing couple, chooses to remain with her father, not because she loves him more or even because she believes he will care for her better than her mother, but because, and this is heartbreaking (she is only a child), she understands that he is the more fragile of the couple; he needs her more. In the midst of this brilliant deconstruction of the mess that class, religious, and gender differences cause grownups to create for themselves and each other, she is a remarkably still and centered beacon of love and reason.

The contributors to this issue’s Short Takes understand, much like the directors of these glorious films, that heroism consists of the small, unselfish, sacrificial acts of the people we hold most dear. They write about mothers and grandmothers, nurses and cab drivers. I have learned from their stories, just as I am learning from the films of the world’s great directors, to appreciate the heroic in the everyday.




We Are Out of Tea

Six paper bags lined up like soldiers on my stoop.
Me, peering out, a timid ghost behind the curtain,
waiting for the brave essential worker to remove
herself from my orbit, lest our spittle slay us.
I step forward and loop the sack handles over my wrists
to haul the booty inside my isolation chamber,
formerly known as my house. Spinach, almond milk,
havarti, eggs, hibiscus tea, carrots, whole grain bread,
and more – funny how a grocery delivery seems like
Christmas morning. I, wife of a man with three
pre-existing conditions, telepathically thank the shopper
and double her tip on the app. The least I can do.
The least I can do. That’s the rub. The least is the most
I can do, coward of necessity, hiding behind heroes
daily risking themselves for my benefit and others’.
I used to volunteer at the shelter. I used to visit friends,
help care for my 83-year-old mother. Now, I hole up,
asking people with fewer resources to drink my cup of risk.




March 2020

Both my sons are in the FDNY – one is a paramedic, the other is a firefighter. The paramedic tested positive for the virus. He’s at his apartment on Staten Island assuring us that it’s a mild case. On day six of his quarantine, his birthday, we drove there to leave a package of goodies on his stoop: Tylenol, tea bags, Vitamin C, bagels, a funny card, a Colin Quinn book. We waved at him, masked, from our car.

My younger son just wrapped up training at the Fire Academy. Without a graduation, he was assigned to an engine company in Queens. On his second tour, he went to five different homes resulting in five dead bodies – all from this virus. When he comes home, he puts his work clothes in the laundry, takes a shower, and calls up to us from the basement that he’s home. We haven’t hugged him or gotten within six feet of him since late March.

I have a rainbow on my door because someone wrote that it’s a great sign of hope and that little kids will like seeing it. I want little kids to see my door and like it. Someone sent me a post about how Pope Francis suggested a white cloth be tied around doorknobs to signify a prayerful counterattack against having the virus enter my house. I did it immediately, even though my husband rolled his eyes and wondered aloud if I thought we were living in the fourteenth century. Aren’t we, I wondered.

Are my kids heroes? No more than the guy who delivers my mail every day. Or the UPS driver who almost daily makes his deliveries at 7PM, the same time my neighbors and I are out on our front porches banging pots, clapping, hooting, and hollering loud THANK YOUs to all the heroes, near and far, in this time of united concern. Once, he held his phone out so his wife could hear the racket we were making. He had a big smile on his face, and said his wife was grateful to us.

My sons will tell you they are just “doing their jobs.” My nurse friends will say the same. So will the workers at Stop & Shop, the restaurant owners adapting their menus for deliveries instead of in-person dining, the plumbers masking up to come fix a leak in your house. Essential life goes on. Daily acts of solid altruism and necessity are the precursors to heroics. The capacity to be heroic may be built into our DNA. The practice of helping others strengthens our altruistic impulses – it feels good to do good. We don’t have to look far and wide for heroes.




My Father’s Hands

My father’s hands,
weathered, callused, scarred,
were large,
the fingers thick,
one stumped and poorly stitched.
Too young, those hands put books aside
(a widowed mother, farm, two younger boys)
to hold the plow,
the ax and awl,
the hammer, spade, and plane,
to till the land,
fell trees,
build houses,
so that my hands might hold a stronger tool,
        a parchment,
rolled and tied in narrow gold.
“My dream,” he whispered once
(such men do not speak aloud of fantasies)
“was to be a surgeon.”




The fine line between heroes and villains

I stepped into my garden’s sunshine and a cacophony of feathered outrage. For a moment the sheer beauty of the sparrow hawk stole my breath. It was on the grass, close to the circular patio still bare of summer chairs. Then the rest of the scene came into focus.

A desperate shrieking was coming from a terrified young bird pinned to the ground by the hawk’s talons. Two blackbirds, presumably the parents of the captured fledgling, were screeching a strident protest. The local jackdaws were cawing the corvid equivalent of ‘fight, fight!’ like a pack of playground bullies.

My maternal instinct kicked in. I ran towards the hawk. My voice joined the discordant vocal melee.

“Let it go!” I shouted. “Let it go!”

The sparrow hawk froze with indecision. Then it took to the wing, the youngster in its grip screaming and twisting as it was carried into the air. The parents morphed into streamlined missiles, firing themselves at the predator. A lone jackdaw flashed across the garden like a paparazzi photographer darting in for the close-up shot.

Suddenly the fledging was free. It plummeted into a thick clump of Michaelmas daisies.

The hawk and the blackbirds vanished into the greenery behind the fence. The jackdaws melted away, pretending nothing of interest had occurred.

Shocked by the sudden silence and the utter stillness of the garden, I went indoors. From my kitchen window I had a panoramic view.

“Come back,” I whispered, willing the blackbirds to return for their youngster. Nothing moved. A bubble of inertia gripped the garden.

Impatience got the better of me. Was the youngster injured? Or even dead from the shock? I headed outside again, and carefully parted the fresh green leaves of the daisies. I caught a glimpse of movement – a beady eye and the pale yellow of a gaping beak. It was alive! To prove the point, it made a run for it and immediately it was out in the open and took flight. My heart soared in joyful unity; there was no sign of injured wings as it headed for a nearby fir tree.

I headed back indoors, praying the family would reunite. Moments later I told the tale to my husband: “I was going to say I was a hero, saving the little one.” I sighed. “But I guess the sparrow hawk would have a very different opinion. I robbed him of a meal.”

My husband nodded sagely. “Hero or villain – how often does that depend on a point of view?”




Silver Star, Purple Heart

        for Bertram Harvey Rutan


My friend was blown up at Iwo Jima,
you told me, 92, gripping your walker.
Right next to me, his back
was blown away, I could see his lungs,
I could have been killed.
You never talked about this the years
I was growing up. But when I was nine
you had a nervous breakdown
and wouldn’t get out of bed.
For months we drove every Saturday
from Palmer to Anchorage so you could
see a doctor.
There’s a scar at the corner of your jaw
where the bullet passed through. You think
it causes your headaches and stiff neck.
When my sister visits, she says
you cry out in the night. You say
you can’t shake the loss of your friend.
You say you couldn’t tell his family
the truth.
You were twenty-one, a Marine on a ship
with your buddies, gliding toward
a deadly island
in the dark night sea
waves rising and falling.
Silently you slid into the water.
They asked for a volunteer
someone to walk in front of the tank
on enemy ground. You’d learned
to jump out of airplanes.
You jumped in front,
leading the way.
Some of your friends lived, came home.
Some of your friends died, never left.
Every one of you lost your self
one way or another,
winning the war.


War by Elisabeth De Nitto



My Homegrown Hero

“I’m quitting, Ma,” she said over the phone.

Last thing I expected to hear.

She loved the hospital she worked in. And the people she worked with. And they loved her.

Her life hadn’t been easy. Took her years to get her Certified Nursing Assistant certificate. She was finally coasting.

“Did you get fired?” I asked suspiciously.

“No!” She laughed. “And they don’t want me to leave either. So there!”

“Got a better offer?” I was hopeful.

“I think so.” She was thoughtful. “I’ve been there a long time now. I want to do more.”

She took a deep breath. “I’m going to be a traveling nurse.”

“Travelling to where?”

“To wherever COVID is worst at the time. Wherever the local hospitals don’t have enough staff to handle the incoming. To assist in the ICUs, with the ventilators, with anything they’re short-staffed on.”

And just like that, I split in two. One-half of me was so proud of her, I could hardly wait to boast to my friends. My other half was screaming to keep her as far from COVID as possible. And here she was, going into the Navy Seals’ equivalent of nursing assignments.

Eventually, my voice returned.

“Like, worst where?” I stuttered.

“My first contract is for three months in North Dakota. I leave in two weeks.”

Funny, I’d just heard about North Dakota on the news. They were dropping like flies there. And three months meant she’d miss Christmas at home with Jerome.

“Jill…” I croaked.

“I know,” she interrupted. “But they put out a call for help. And I can do so much more there.”

“What about Jerome…?” I started to stack up my arguments.

“He’ll drive up for holiday weekends,” she countered. It was a two-day drive from their home to North Dakota and back, but Jerome hadn’t flinched.

He made the drive three times while she was there. They didn’t even spend Christmas Day together. Jill had volunteered to cover when the hospital couldn’t get anybody else. But the week they’d had together did include Christmas Eve. He left the next morning, as she left for work.

By the time her contract ended, North Dakota had quieted down, and the numbers were rising fast in Florida, thanks to spring break. Florida was mere hours instead of days from where she lived. She signed up right away, more because of all the people she could help immediately than the proximity to her house.

I was so afraid for her. I wanted her back at her quiet old hospital. But I could see that that would be a long time in coming. For now, for as far into the future as she could, she would be plunging into the belly of the beast, wherever the beast was, whenever it appeared.

Somehow, safe stay-at-home that I am, I had raised a real-live hero.


Violin Sonata No. 7 in A Major, K. 12 (version for flute and keyboard) : I. Andante
Carol Wincenc, Flute
Gena Raps, Piano



Ferlinghetti Paints Carla Kandinsky

Carla Kandinsky called
to tell me Lawrence Ferlinghetti died.
I already knew.
Jack Foley had already sent
          out an email.
Carla said, “I can’t believe
          Ferlinghetti was 101 years old!
You know I used to model
          for him at his studio.
He painted a picture of me nude
          with a vacuum cleaner,
called it
Emily Dickinson Vacuuming!”
I laughed.
“You’re a lot more voluptuous
          than Emily Dickinson was
if my Dickinson genes
          are any testimony.
I’m about as flat-chested
          as you can get and could
probably fit into Emily Dickinson’s
          tiny white housedress!”
She laughed.
And repeated again,
“I still can’t believe he was 101!”
          “Mr. Blue Eyes,” I said.
“I remember when he was 99!
He was going to be 102 in March.”
“There’s vigil tonight at City Lights,”
          she said, but I know
neither of us will be there.
          Rest in peace, dear poet.
Later, I remember
          Christopher Felver’s
photographic book
          of Ferlinghetti portraits—
And there’s Carla
          in Lawrence Ferlinghetti’s studio
at Hunter’s Point in San Francisco, 1995.
She’s sitting in an easy chair
          covered with a Japanese cloth
straw hat on her head
           light drape around her shoulders
revealing voluptuous, drooping breasts
           and stomach curves.
She looks, well, she looks bored
           or maybe just contemplative
thinking about her next poem
           for she is, after all, a poet,
or maybe about her next cleaning job
           for she is, after all, a house cleaner too
or about the next apple pie she will bake
           for her lover.
Lawrence’s back is to us
           at his easel
as he paints his model
           in her “relaxed” position—
One arm flung over the back of her chair
           one leg raised, supported by the arm rest.
I don’t think his portrait
           of Carla is a very good resemblance
but there is something
           about the way he captures
                     the tilt of her head
giving her that regal look
           of a sought-after artist’s model
for she has, after all, been painted
           by all the Bay Area greats.
Maybe by now
           Carla would just like
to get out of her “relaxed” position
           and stretch
for isn’t that a timer
           sitting at her feet
to declare her break?
On the page opposite
           Lawrence painting Carla
is a face-on portrait of Ferlinghetti
           at the De Young Museum, 1996,
wryly pinching his lapel button,
           FUCK ART
           LET’S DANCE




My hero, my grandma

My grandma emigrated to the U.S. from Hungary around the turn of the 20th century. Number six of seven children. Her mother and youngest sibling died during childbirth. But her father married a “girl” half his age, and together they had seven more children.

Illiterate and plagued with life-threatening illnesses, my grandmother became my rock.
Old country tough.

We lived close to each other in the Williamsburg section of Brooklyn, until my family moved to Canarsie. A few years later she moved across the street.

My high school years were hell.

After spinal fusion surgery and being in a body cast flat on my back for six months, the world I once knew went away. Or rather, I went away. I turned into an overweight, chain-smoking, tough-looking adolescent who didn’t give a damn about school. I dressed in tight sweater blouses and stretch pants, and wore a black leather jacket. My teased hair and bright red lipstick completed my trampy appearance. I was crying out to be noticed. To be visible. No one seemed to hear or see me. Except Grandma.

My hero, my grandma. Every night, I’d visit her to do homework. She’d serve me pure sugar cookies she received from the welfare line as I sat on the sofa bed trying to make sense of my assignments. She’d sit on a hard chair watching TV with the sound off so I could concentrate. A safe haven, unlike the tumult and dysfunction in my home.

Then, we’d play gin rummy. I could see her hand in her glasses and kept showing her how to hold the cards so I wouldn’t see the reflection. She didn’t care. I tried not to look but I couldn’t help it. I’d usually win. She liked it when I won. It’s as if she did it on purpose.

My grandma nursed me back to life. Just by being her.

In her broken English, she instructed me to do well in school, practice the piano, observe the Jewish Sabbath, and wear a kerchief to keep my ears warm.

One evening, the snow came down hard. I thought I could skip a visit.

But a force came over me and I ran across the street without a jacket. Or kerchief.

The smell of gas nearly knocked me out.

“Grandma,” I shrieked. Apparently, she had left the burner on, and having no sense of smell, could not detect a thing.

I turned the gas off and opened all the windows even though it was freezing. I embraced her round body in relief.

“Don’t cry, Ellen Coo,” she said. “Where is your kerchief?”

Years later when I told my brother this story, he told me I saved her life. I corrected him. “No, she saved mine.”



It’s Hard to Reason with the Dead

My maiden aunt, for instance. As the century turned, not this one, the last, whether by choice or default, she was the daughter who didn’t marry, the one who took care of Mother. It was the Irish way. Now she wants to be remembered. Of course, you’re remembered, I remember you, I tell her. You used to take the bus every Tuesday to visit with my mother. And share a cuppa tea, family woes, gifts of soap and toothbrushes, and goodbye hugs before my dad got home. Not good enough, she says, you’re the last one standing and you’re on your way out. That’s not fair, I tell her. Besides, what could I say? Aren’t I the keeper of family secrets, our official eulogist? And, you already showed up in one of my poems. Yeah, as a “peculiar aunt?” You know better than that. Oh, you’re right. I’d forgotten. And the “soul-sucking end.” That the best you can do? I even died on your birthday. Wasn’t that worth something? I guess I do owe you an apology, but it was only a poem. I was universalizing. And particularizing. Which leaves me worse off than before, she says. I remember the bus trips from church you used to take with your tall, spindly friend, to shrines in Canada, D.C. That’s something, at least, she says. And there’s that picture of you leaning against Uncle Pete’s Packard. You must have been 22. Elbows on the sleek hood, elegant in your flowered dress, looking like you’re ready to take on the town. Now we’re getting somewhere, she says.

May you rest in peace, dear Marnie.




During my one pregnancy, a good friend was there for me – not the father (well, there were two possible fathers), and not my sisters (they were worried and, based on my track record for coping with life, not encouraging). An acquaintance quipped, “This is supposed to happen when you’re sixteen, not thirty-five.” He meant to be funny, but I felt ashamed, lonely, afraid.

But Kathleen, when I told her my news, was happy, and helpful. She was the one who told me I would be a wonderful mother. She (who had been my drinking buddy) was supportive of my newfound sobriety.

It was sort of funny. She brought one can of beer when she came over, thinking we could each drink just half. I had to tell her that maybe she could do that, but for me half a beer was just temptation, torture really, that I would crave more and find a way to get it. When she understood that, she started offering juice.

She took me to the thrift store to find long shirts that would work as maternity tops. She gave me the baby clothes her three children had worn, lovingly washed and ironed.

She was the one who encouraged me to breastfeed. At first it seemed weird and unnatural. I didn’t know if I could go through with putting a little human to my nipples for milk. I didn’t understand until I took my newborn in my arms. It was tender and serene. I’m so glad Kathleen was insistent in suggesting it.

She also suggested bringing music to the delivery room with me. I didn’t do that, but I did have it ready when I came home with my baby: Beethoven’s “Ode to Joy,” and Bob Dylan’s “Forever Young,” two of my favorites, and they were perfect for the occasion. I cried, releasing all the fear and tension of nine months, celebrating the new life – two new lives really, my daughter’s, and my own sober life.

Kathleen had cleaned my little two-bedroom trailer, not just the water that had broken and gushed all over the kitchen floor, but every tabletop and corner, making it welcoming. In the baby’s room were her little bed, the rocking chair, the rainbow mobile. In the living room were the flowers from my hospital room, so pretty.

My sisters came back again, and my daughter’s father, too (she has his eyes). Somehow a baby does that, makes miracles.

But it’s been forty years.  Kathleen moved away, and I’ve lost track of her.



my non-heroic, non-inspirational tale

my right leg
is much larger
than the left
in its white bandage
my body bent
forward and to the right
no more catcalls
only blank stares
stares that burn a hole in you
but not in me
i was diagnosed
with fibromyalgia
in middle age
although the symptoms
were apparent since childhood
during cancer
in 2015 and 2018
i prayed
first to live
then not to cut my genitals
then not to cut too much
then not to take everything
few wishes are granted
in this life
you say i am a hero an inspiration
the bravest person you know
i am none of these
just an ordinary person
who poops and pees
like everybody else
who has a colostomy
and a urostomy
into plastic bags that stink itch and leak
sometimes gas fills my
colostomy bag so that it looks
like a large balloon under
my clothes that
even my gargantuan tunics
and flare skirts can’t hide
i am tired
of hiding the facts
i have no bladder
no anus no rectum
no ovaries no uterus nor fallopian tubes
no vagina no vulva at all
the doctor
stretched my skin
and sewed me shut
i named my colostomy stoma
“my meat” (i am a vegan) and my other
stoma “plumdrop”
i thought of naming my scars
but thought better of it
too busy maybe
am i now the plus in LGBTQAIplus
if not also the B
yet I was an A student
i can’t scratch
my itchy peristomal skin
i can’t put back my clitoris
but i’m here to tell you
i just turned sixty and i’m
alive alive alive




Redefining Heroes

My father has always been my hero. As I grew up, I sought his advice about school, studied his professional demeanor, and even followed his footsteps into a career in higher education. His resumé boasted a thirty-year career in the Army and a fourteen-year career in higher education.

My mother didn’t have a resumé. Her one job had been Assistant Postmistress in her hometown, throughout WWII until she married my father at age 28. As an orphaned teenager she raised four siblings (one a newborn) while her older brother kept the family together, but you wouldn’t put that on a resumé even if you had one. When I was growing up, she was a wife and a mother. She didn’t have a career.

I didn’t look to my mother for advice about school or work (except about dress and manners). Don’t get me wrong: she was an outstanding mother who hosted childhood birthday parties replete with angel food cake (my favorite) and party favors for my friends, made velvet dresses in styles I chose for my junior high school winter dances, accompanied me on grad school interviews so that I could be dropped off without fretting over parking – and more.

My mother knew I loved her and that I was grateful for everything she did for me. But all that she did escaped me at the time. She served as a certified, uniformed Red Cross volunteer in hospitals; co-ran thrift shops at our Army posts; was “Room Mother” every year in my elementary school; co-led my Girl Scout troop; and taught Vacation Bible Schools – all while overseeing 16 moves of the household in 19 years, usually when my father was away. The list of unpaid deeds includes hosting events at the college where my father spent his civilian career, organizing Welcome Wagon activities for community newcomers, registering voters, and taking underprivileged children to the dentist.

It’s taken me a long time to realize that heroes come in various packages. They don’t always have resumés. In fact, there are people with impressive resumés who don’t tirelessly serve the public or practice compassionate citizenship or invest in the lives of children. My mother was definitely hero material. I wish I could tell her that.



Random Acts of Kindness

Frost on Window by Elsa Lichman


Introduction: Where Has All the Kindness Gone?

I had occasion recently to read about London during the Blitz, and was struck by its focus on the courage and kindness of ordinary Londoners during those frightening and unprecedented months. The article made hardly any mention of conflict or cowardice, small-mindedness, selfishness, or greed. Instead, its anecdotes were about people sharing their rations with their neighbors, helping the elderly or infirm into bomb shelters, even rescuing kittens from the rubble of bombed-out buildings. They were stories of people who at another time might disagree about almost everything, who might even look down on one another, but who, in the stress of those harrowing moments, responded by forgetting their differences in the larger cause of making sure as many as possible survived. They were tales of people whose appetite for hardship or danger had never before been put to the test, and who now acquitted themselves with quiet bravery. The word the British used to sum up their response to Hitler’s nightly raids was pluck – a word that, like the people it describes, is deceptively simple and self-effacing.


I have found few, if any, stories like that in press reports of the reactions of ordinary Americans to the coronavirus. Quite the opposite. Television news carries frightening scenes of mobs of gun-toting white men (and a few women) screaming that a mask will forever sully their individualism. These may be the same people caught on thousands of twitter feeds, mask-less, screaming and spreading fetid droplets of spittle on hapless Walmart clerks or Starbucks baristas. TV talking heads who pretend to white-coated medical respectability tell us we should let the elderly and the ill die horrid and lonely deaths on ventilators (provided the hospitals have any ventilators to spare for them) so the young and healthy can attain herd immunity. Politicians refuse financial support to the jobless; instead they insist that businesses re-open, because keeping the economy ticking and employment figures high is more important to them than protecting citizens.

It is possible that 1940s Londoners were kinder, more generous, more prone to think first about the other guy than are 2020s Americans. Also more courageous, with more fortitude; more willing to suffer a little in the hopes that their sacrifices would lead to a common good. In a word: pluckier. And that is why newspaper stories of World War II Londoners are so much more positive than the media reports of Americans facing (or not facing) the corona pandemic.

I prefer, however, to ascribe the difference to the press rather than to the people. I prefer to think that, during that frightening time when no one was safe from bombs falling randomly from the sky, people just preferred to read about the good in one another. And that, for some reason, today, with illness visiting itself in ways that seem equally random, the press has decided that it is far more interesting to catalogue the petty calumnies of cowards and bullies than to focus on somebody who does a generous or heroic act, someone who acts selflessly.

Oh, there were reports, at the start, of doctors and nurses pushed to and over the brink, working round the clock, night after night, without enough masks and gowns and gloves. But once those stories disappeared, nothing positive came to take their place.

I was sure, however, that, during the long months of this pandemic, many good and brave and generous deeds have been done – and are still being done – by ordinary people. And that our readers have witnessed them. We need to share those stories. We need to celebrate those people. We need to stop thinking of ourselves as a ratty bunch of selfish losers, because, unless we can get a better opinion of ourselves, we may gain back our health but we’ll never regain our self-respect. We need to see ourselves again as a nation made up mostly of people who are plucky in the face of adversity.

We at Persimmon Tree hoped that this issue’s Short Takes would help to set us on that course. We looked forward to an outpouring of essays and poetry about the manifold good works we and our neighbors have done and witnessed during these locked down months. That did not turn out to be the case. Most of the submissions were about the good Samaritan who stops to change a stranger’s tire on a lonely stretch of highway – definitely an act of kindness, but entirely unrelated to the coronavirus. Very few were about the pandemic. On the basis of this evidence, anecdotal though it is, I would say you can confidently expect help if your car breaks down, but don’t be so sure you’ll get it when the virus means you need your prescription picked up, your lawn mowed, or even just a friendly cup of coffee. And definitely don’t expect to see a lot of people honoring the workers who risk their lives during lockdown to repair our buildings or collect our garbage. Oh, but wait a minute. Those are exactly the topics of the few (but quite wonderful) essays and poems about Covid, and people’s responses to it, that we did receive. So, maybe all is not as dark as it seems.





Trash Day

The only person I know personally who has died of COVID-19 is my friend Dinah’s husband, William. And by personally I mean I met him exactly once, at a reading where Dinah and I were both participating. He had come to cheer her on and the sweetness between them was palpable. She called him Bunky. They had met as co-workers years ago and were just now contemplating retirement in far-away Belize, where they had been visiting right before they both got sick. Dinah recovered, but William did not, having underlying and complicating conditions such as heart disease and being African American.

Dinah is a member of my beloved Ladies of the Long Table, self-dubbed before I ever joined. A group of female writers I am deeply honored to sit with (currently remotely) nearly every Wednesday at lunch time and whose honest and heartbreakingly beautiful words worm into my soul over and over again and change me in ways I’m only starting to understand. Dinah has been AWOL for about a year, busy with other pursuits (like moving to Belize) and not in the head space needed for writing. We all knew/hoped she would eventually return, but now she is grieving and not quite yet ready to be among us.

But I missed her and worried about her and I am a hanger-on-er of the first order. I don’t like that many people over the age of three, so if you happen to make the cut, it is a life sentence.

I was driving right by Dinah’s house (sort of) on my way up north last Monday so I asked if I could bring coffee and muffins and have a chat in the yard, 6 feet apart. She responded sweetly but noncommittally and I took it she wasn’t quite ready for company. But I felt compelled to do something, she being on my very short People I Care About list. So I cut a bunch of daisies from my overflowing garden and two slabs of the very delicious almond apricot cake with rosemary I had just made (hey-it’s not my recipe so I can brag on it all day long – this stuff is KILLER!) and headed for her place to make a stealth drop on her porch.

I think I had a couple fillings fall out on her unpaved washboard street (I use that term loosely). Geesh! How do people live out in the sticks like that in bad weather? It was tough enough making the drive on a gorgeous summer day! But anyway, I got there, parked on the street, slipped up the driveway on quiet feet to not disturb Dinah or her dogs, made my drop and headed back to my car. And that’s when I saw it. The note.

It was trash day in Oxford and Dinah had put out her two barrels for pick up. Carefully taped to each one was a handwritten note that said:

“In the words of Thomas Edison:

‘Many of life’s failures are people who did not realize how close they were to success when they gave up.’ Please don’t give up! Thank you for coming to work today. You are deeply appreciated.”

Here is what gobsmacked me about that.

  1. I have never thought for a moment of leaving the trash collectors an encouraging note. Not now, not earlier, NE-VER.
  2. This woman just lost her beloved husband and her dream for a blissful retirement together. Is she sitting around feeling sorry for herself? Maybe, but if so she is simultaneously reaching out to uplift others and a category of others universally ignored and taken for granted.
  3. I lost my own husband 5 years ago and am still mad as hell about it. After unfriending God on Facebook I have now decided he can come to Thanksgiving dinner but can’t be seated near me. In other words, I am stuck in a way my friend seems not to be, despite a hurt that is so very much fresher. As so often happens with these lady writers I love, there is a lesson to be learned here and behavioral changes to consider.

I guess I’ll start with meeting the grocery clerks’ eyes and acting like they are actual humans instead of robots with leprosy. Next, I’m going to write some notes to 2020 graduates I know who got robbed of so many things due to Covid. And since the pen will already be in my hand, maybe I could scrawl a little Thank You to the trash guys. Couldn’t hurt and in some way maybe it would honor William and the huge-hearted widow he left behind.





the friend who can still see to thread a needle
the form-filler who keeps us on the straight and narrow
the plumber who unblocks our hope
the tired mother doing time in the rainy playground
the Avon lady who delivers magic oils to the lonely
Yusif who saves the woodlice in the playground
Lily who asks me if I’m going to die soon and gives me her crisps
the driver who waves out cars waiting in side roads
the limping woman who shepherds a stray dog to safety
the postman who sprints singing up the steps
Dawn who saves the ducklings hatched on the high street
Rob who won’t fell the tree till the robins have fledged
Adam who hands me a rose for no particular reason
the careworker who strokes my sister’s hair
the shrugging teenager who counts out my change
the computer expert who will explain slowly
whoever mops up sick
leaves us windfall apples
finds our car keys
finds our dog
finds time
Praise to all kind people who don’t expect to be thanked




A Mitzvah

She was seated a few feet from me; her ankles crossed, her hands folded neatly in her lap on top of her handbag, her hair an astonishing silver glow, her head lowered. She appeared to be dozing.

They were standing at the pharmacy consulting window having a lengthy discussion with a pharmacist … two twenty-somethings … apparently brother and sister. It was hard not to hear the conversation.

As the siblings became more agitated, the older woman got up and approached the three who were so engrossed in their conversation they didn’t even notice her.

“What seems to be the problem?” she asked. They looked at her, startled by the intrusion. The brother and sister looked at each other quizzically.

The sister spoke. “The doctor has ordered these prescriptions for our mother, but we can’t afford all of them. We asked the pharmacist to help us decide which would be the least harmful for Mom not to take.”

“I tried to explain to them I am not a doctor and can’t make that judgment,” the pharmacist explained to the woman.

“I see.” she said. “How much do the drugs cost?”


At that point the brother spoke up. “We only have $50.”

The silver-haired woman reached into her handbag, pulled out her wallet and handed the pharmacist three twenty-dollar bills and a five. “Give these kids the prescriptions for their mother.”

The young man tried to give the $50 to the woman as he said “Thank you.”

“Save your money for something else your mother may need.”

“But we don’t know you. How can we repay you?” the sister objected.

“Someday you will see someone in trouble. Help them out. That will repay me.” the woman responded as she turned, went back to her seat and resumed waiting for her name to be called so she could get her prescription.

I watched as the young couple left the pharmacy smiling and shaking their heads in wonder and delight. I saw the silver-haired woman sitting with the slightest smile on her face. I looked at the pharmacist who was still standing at the consulting window grinning.

This is a day to remember I thought to myself. At least five people have had their spirits lifted and their faith in humanity restored.

It was a mitzvah.




End of Mars Retrograde in Aries

In the stale hospital hall, a doctor
sees my confused mother and walks
her to the right door. Kathleen pulls over
in traffic to carry the dog’s body we found
in the street, to the roadside, bowing
her head as she brushes fur from its eyes
and lays him on the grass. My own
dog sits up to watch after I answer
a phone call, then storms to the couch
to lean against my trembling ribs. Paula
asks if there is anything she can do,
while the others only want to know
who tested positive. Every other week
Danica bakes a cherry pie for a caregiver.
Mimi secretly pays the rent for a friend
in recovery. My sponsor in Al-Anon asks
the silence, each morning, how she can
be of service. Mike, not knowing me,
Just that I had nowhere to live, offers his
empty apartment with its leather couch.
My sons deliver Christmas presents
to families who live in the dry riverbed.
And the nurse, unaware I’m watching, tucks
the blanket carefully around my mother.




Singing Acts of Kindness




Without a Word

I’m high risk, say the epidemiologists. Because I’m over 60. So I food-shop at dawn now, when only we high-riskers are allowed in the stores. We all wear masks. I have a lot of faith in masks. And staying home. And FaceTime.

So I was sure that, not only would I never succumb to COVID-19, I’d never even need to get tested.

Then suddenly, on the news: “If you shopped at (a certain local health food store) between July 1st and July 5th, go get tested immediately!” One of their employees had tested positive.

And wouldn’t you know? I’d shopped there on the 3rd. Two lousy probiotics. In and out, six minutes tops. That’s how I shop – ninja-fast. The only person I saw was the cashier. And she was barricaded behind Plexiglas walls.

But there’s no reasoning with a pandemic. I got tested at my doctor’s office. Now I had to isolate and wait for the results. I felt like a grounded teenager, stuck in my room. And I knew the test would come back negative.

What worried me much more was that I was down to my last two migraine pills. Okay, it’s not life or death, but when you’re a migraineur, yes, it is life or death. Ever have a migraine? Sixteen hours of kill me now. These pills really work for me. I carry them with me, even when I just go to check the mailbox.

So why had I left the prescription at my old pharmacy when I moved? I liked the drive out there. Friendly staff. Very knowledgeable and helpful. I called them immediately and credit-carded a refill. But I was no longer in their delivery zone.

Why didn’t I refill it sooner? I thought I had all the time in the world.

Meanwhile, word got out about where I’d shopped on that fateful day. My friends called to sympathize, and we laughed at the irony of possibly getting the plague at a health food store.

But no migraine pills? Not funny. They’re my Dumbo’s feathers. If I ran out before I got the test results, before I could go pick up my refill, my fear alone could trigger a cascade.

Two days later, there was a package at my front door. It was from the pharmacy, and attached to it was a note from one of my friends. I must have babbled my terror of being without pills to her when we’d FaceTimed. She had driven forty minutes to my pharmacy, and explained the situation to them. And they, in turn, had entrusted her with my prescription. Then she’d driven an additional twenty-five minutes to bring it to me. It would take her another hour to get home.

I sat on my doorstep, hugging the bag, overcome with relief and gratitude.

The test came back negative.




Before the V Day

Your once robust face has slowly changed
to a dark coconut husk shape;
your teeth look tainted and broad
you do not have the energy to walk
you lie all day and I feed you with semi-solids
your face slumps after every feed
you say you are frightened
of me because I ask you to eat
it takes ten minutes for me
to put you into a wheelchair
you are on a milk and protein diet, so
I stop giving you your insulin shots
I know your sugar level will spiral up
and your temperature will rise
septicemia will set in slowly.
I will give you three tablespoons of milk
and when the third spoonful does not go in
I will give you up, release you from the bonds of love
and set you free, soon before the V day arrives.




Our Morning Ritual

The men outside my window are replacing cracked bricks in the building I live in. It is the pandemic, so we are sentenced to stay home all day, even while they are doing this. I watch them drill the bricks, the noise so loud I have to keep my Bose headphones on. A couple of days ago three men scaled up three floors, and onto my terrace. I asked if they’d like coffee or tea, but they shook their heads, surprised.

“Are you sure?” I asked.

Their eyes lit up. Two asked for coffee, one for tea.

“Milk and sugar? Yes?”

They nodded, smiles stretched ear to ear.

When I came out to the patio with my large ceramic mugs, their smiles vanished and they shook their heads.

The man with an orange helmet said, “Paper cup, no?”

I shook my head. “Why paper cup? Don’t worry if it breaks, it’s okay. They’re old.”

Their smiles of gratitude reminded me of my mother who was an octopus. Compassionate as she was, she used her six children’s limbs as if they were hers. She’d ask my brother to take Aunty Alice to the bus stop; she’d make tea and ask me to serve biscuits on a pretty blue plate to the gardener, or to the dhobi who picks up the laundry. If I grumbled or rolled my eyes, she’d say, “Lalita what is wrong with you? You can’t stop to serve Aunty Mary?” Or Aunty so-and-so. The word wrong sounded like a gong. I brought that blue plate with me to America.

As I serve these men every morning – on the patio, out of doors, socially distanced – I see my mother peeping through the clouds and smiling down at us on my terrace. I stop and watch the leaves turn orange, yellow, green – a promise of better times to come in this sad world of ours.




Alpha Bird

The hummingbird feeder is crowded. Four red-plumed birds,
iridescent feathers, long thin beaks plunge into feeder holes,
reminiscent of the fake birds placed on water glass rims,
dipping up and down, thirst-crazed creatures, never sated.
There was harmony among the birds, until Alpha bird appeared
clacking his beak, clik-a, clik-a, clik-a,
wings whirring wildly, in attack mode
driving them all away.
From the other side of the window,
I look at him, furious with his tyranny.
I try to distract him, banging on the window,
blowing a shrill, high-pitched whistle.
Nothing works.
I consult a bird specialist. The bird man says
Alpha bird may be a female, injured, unable to feed properly,
who has become ferocious,
and territorial to save herself.
The next day I stare at Alpha bird. She looks back, cocks her head.
Perhaps only one eye can see me. I lean close.
Is one tiny toe missing?
One wing a little bent?
I fill the humming bird feeder to capacity.
She flits back and forth, red neck feathers flashing
watching me.
I smile at her.
I spin my prayer wheel. I offer a benediction.
And an apology,
to a bird of courage,
one that I now admire.




The New Normal

We open our motel at the beginning of June. It is three weeks later than our usual opening time, which is usually just after the frost is gone and before the official Memorial Day start of the season.

When we drive into the parking lot loaded with our stuff, I am taken aback by the height of the grass growing on the front lawn. Never in the fourteen years we operated the motel has it been left to grow wild like that. I reflect on an image that amuses me from time to time, of the forest crawling from the back, trying to take over the land that over sixty years ago was cleared for the motel.

We unload everything and open the front door with caution and some apprehension. Every year when we return after the seven months of being away, we encounter unexpected surprises. Usually, we find water leaks and busted pipes, and on occasion wild animals who decided to become guests for the winter. Like the family of raccoons, a mom and six babies, who moved into the ceiling of our bedroom one winter.

Once we assess the damages in our residence, open the windows, and take the tarps off beds and furniture, the sense of being back home is somewhat established. We can start with the tedious task of opening the guest rooms and getting them cleaned and ready.

But this year, we have four acres of overgrown grass almost up to my knees, already wearing a crown of seed heads. There’s no one in town – we are situated on the main road – who did not witness this stage of neglect. Everywhere we go people nod their heads in disapproval. “We thought you left never to come back,” is their unspoken message.

My job is to mow the lawn, so before doing anything, I fire up the mower and go to work. For hours I go back and forth on the overgrown grass. The first cut has to be high so as not to choke the machine. Then a second cut, somewhat deeper, and still when I inspect the results at the end of the day, I am amazed at how little progress I made.

The next morning, I wake to the noise of people talking and the unmistakable zoom of weed whackers. I look outside and see three men working on our lawn. Quickly I dress and go outside to discover Adam, our part-time housekeeper’s husband, and two of his buddies. The three of them are working on the lawn. Before noon everything is done.

The new normal, or perhaps just neighbors helping neighbors who go through tough times created by circumstances out of their control. The way it always was and the way it should be.



Introduction: What is Justice

Pin collage by Julia C. Spring
I have been a lawyer most of my adult life, which means I no longer have much of an idea what is meant by that slippery and overly general word “justice.” The help I’ve gotten on that from my own profession is confusing and conflicting at best.


Once upon a time, one of the justices of the Second Circuit Court of Appeals was a tiny little old round-headed bald guy named Timbers. No, really. Timbers was his name. William H. Timbers. Justice Timbers did little that was memorable, unless you count his long, long, long tenure on the court as an achievement in itself. By the time he’d become that tiny little old round-headed bald guy – so tiny, in fact, that counsel, standing at the lectern, looking up at the judges ranged above them, could see nothing of Justice Timbers but that tiny little old round bald head, poking up over the bench – Justice Timbers was known mostly for his irascibility. He was particularly harsh on lawyers who made the mistake of trying to slip a little feeling into their legal arguments. Like that memorable day when a very young lawyer, unschooled in Justice Timbers’s preferences, dared to ask the court to give his client justice. “We don’t do justice in this court,” Timbers’s tiny round bald head grumbled. “We do law.”

Justice Timbers is not the only person to dislike the very concept of justice. The most renowned faux lawyer to badmouth justice was Portia, who famously commented at an infamously truncated show trial that mercy, dripping through its metaphorical strainer, is much to be preferred. However, Portia herself turned out to be unreliable as a moralist. She was, after all, arguing on behalf of a privileged member of the bigoted dominant class of Venice against the poor merchant whose only crime was to worry too much about his daughter. And, oh yeah, to be a member of a persecuted minority.

And that’s the problem justice always has. Those with power and privilege tend not to like it as much as the folks without. Even the good guys in the dominant class don’t easily understand the need for it. I am reminded of a panel many years ago when two stalwarts of the left – Peter Gabel and Patricia Williams – locked horns. Both were professors at lefty law schools. Both believed absolutely and without reserve in the duty of all lawyers to use their legal training in the service of human needs, social justice, and equality. Both were thoughtful, kind, and generous people.

Peter – the opposite of Justice Timbers in all things except the accidents of gender, class, and race – was on the panel to argue that formal court trials should be replaced with more informal mediation between the parties, on the grounds that legal rulings, with their emphasis on the Law, on Rights, on Justice, succeed only at dividing people, whereas mediation, with its twin goals of conciliation and compromise, promote harmony and bring people together.

He did not understand why he was unable to convince his colleague Pat Williams, an equally liberal, thoughtful, and generous person – who happened to be Black and a woman. She continued, despite his best arguments, to argue in favor of formal trials. Women, working class people, Blacks will always be on the short end when it’s a mediation, she might patiently have explained to him, because the privileged don’t give up their privileges just because you ask nicely, or even because you explain, totally convincingly, why they should. They give them up only when you make them. And the only way to make them is to go to trial, remind the court of the rights enumerated in the Constitution, and insist on justice.

I might add, as recent events have suggested, that there are two ways, in addition to lawsuits, to get justice. One is to protest. The other is to vote. And both of those prove Professor Williams’ point: the guys with privilege don’t give up their privileges just because you ask. Women, working-class people, Blacks get justice only by fighting for it.

So: Protest. Vote. And, if that fails, sue.






economic dogma,
devours   depletes   destroys
our unreturning reality.





I snicker at his footwear and how his ankles are exposed, this young man in the lobby with his missionary tracts. He’s being ignored. Except by me and I don’t know why I bother.

He’s clean-shaven and backward, I think – then there’s a leap in my thoughts. If he were my boyfriend, that might give my mamma back some of the hope my ‘unsuitable hook-ups’ have taken away. Hope might be the difference for her. The doctors don’t tell you that, but everyone knows.

I go over, look him in the eye and say I’m ready to accept Jesus into my life. He’s okay in looks but with those pimples, it’s good that he’s religious. Yes. He’s got one foot in heaven. Just like Mamma.

Nathan is his name, he tells me, as if he can think of nothing else to say. He looks around. I know they work in teams during these salvation sweeps, but no one is there for Nathan. He’s startled, like I’ve propositioned him to do something unseemly. This is too easy. I smile as I look him in the eye.

“You must meet Mamma. This day, our story … her prayers are answered.” His white skin splashes with red as he blushes. I take his wrist and lead him to Mamma’s hospital room. One of his mentors notices him, nods his approval, and my own holy man walks a little straighter. He believes!

Mamma looks our way. I link elbows with Nathan.

“My friend is offering lessons in heaven. I thought you’d like me to know Jesus.” A flicker of something crosses her face before she turns away. She sees a charade. The nurse checks the I.V., then brushes past.

Nathan speaks. “May I?” His voice breaks within this brief sentence and his face grows redder but he disengages my arm, straightens his tie. He approaches my mother, grasps her hand as if she’s made of glass. Stroking her hand, he begins to speak with her, his voice low, soothing. Her responses exhale a word at a time. Is this the conversation she’s waited to hear?

I feel a pressure in my chest, a shame. She’s dying and I’m stupid. My hands fly to cover my face.

“Yes,” I hear my mother say and I become aware of the sunlight from the window; clouds must have moved. He holds the water straw to her lips. Is that what she said yes to?

“You can let me do that.” I say before he can get a hook into us, before either of us believes we need his comfort. But he holds the water steady.

“Drink,” he says. She does.




The H-Bomb’s Thunder

It was 1958. I set off with my best friend
Josephine on the first Campaign for Nuclear
Disarmament march from Trafalgar Square.
Today I found a crumpled songbook.
On the cover an unborn baby screams
as strontium 90 rains from the black sky.
We walked four days as crowds grew to call
for an end to war. Josephine refused all rides
as bubble-sized blisters grew on her feet.
Nights with Quakers on school gym floors.
Hot jam donuts at six a.m. in empty streets.
I met my bully boyfriend on that march.
House the homeless, help the needy
shall we blast or shall we build?

We knew we could change the world.




I was a freshman in college when Dr. Martin Luther King, Jr., was killed. I was sure justice would inevitably follow his death, that the riots of that year and the summer of 1967 would be the last riots, the marches would soon be over, and justice would triumph.

On May 26, 2020, I saw Gayle King on CBS This Morning get rattled – really rattled. We both saw the video of a police officer kneel on George Floyd’s neck. I was tucked in the north woods at the cabin, as safe as one can be.

“It feels to me like open season … and that sometimes it’s not a safe place to be in this country for Black men … This is really too much for me today,” she said.

I felt sick.

When the KMart where I biked to grab shampoo and Band-Aids was broken into and looted, I was still 200 miles away. I heard no helicopters, no chants of “I can’t breathe,” no crash of broken glass at the post office where I sent Christmas presents to my grandchildren. I heard the whoosh of a pleasant wind through the tallest Norway pines. My daughter told me I was lucky to be at the cabin and not in my Minneapolis house. I suppose I was as lucky as one can be. I didn’t tell her I had already planned to leave as soon as it felt safe to go back, but I always feel safe.

I pulled off I-94 East onto Lyndale Avenue in Minneapolis, blocks from my house. All the businesses were boarded up; some had “open” scrawled on the plywood. Most were covered with extraordinary artwork proclaiming “Justice for George,” and similar messages in dramatic colors and letters taller than me. These had appeared like magic as soon as there were boards to cover the windows – broken or not.

I was stunned; and a week of crying jags started all over.

Still, I felt safe driving my neighborhood streets, getting out of my car in my driveway and going into my house, empty since the pandemic hit. I was alone, elderly by COVID-19 standards, female and safe. But I’m white.

I felt safe on my bike ride to Chicago Avenue and East 38th Street. Safe as I paused by the field of white crosses in front of the homemade “SAY THEIR NAMES” sign. The “S” on NAMES had fallen over. I thought of putting it back up, but it didn’t feel right to touch anything.

The names also filled a wide swath down 38th Street, covered with flowers gently withering in the summer sun. I stared at their names, the wilted blossoms hugging the pavement. These people were not safe while I was.

It’s been more than fifty years, and here we are, still howling about justice and covering our past sins like the paintings on the plywood lining the streets in Minneapolis.





With My Hair Not Yet Grey

After Seeing One Too Many Articles Titled “How to Explain the Protests to your Parents and Grandparents”


Who, do they think, was marching in 1968, ‘69, ‘72?
Who, do they think, shut down campuses, and transformed what they read in school?
Got laws on the books to protect their bodies?
Got clubbed and gassed in Chicago? Rode buses to D.C., protesting
with a quarter-million throats unleashed?
Who, do they think, prepared the ground for them to discover,
at age 14 – maybe 15 –
that change is something to both desire and fight for
that it won’t come easily but it can come, visible
but only if you can look back,
a good 50 years now, to see that
some things,
not all,
but some,
have changed. So that hope can surge
for every generation
even those now rolling their eyes
as if our pasts and their future were not intertwined,
as if some explanation were needed,
as if every generation does not dream of justice, and still ache to build the world anew.




Justice For All

“I pledge allegiance to the flag of the United States of America and to the Republic for which it stands, one nation under God, indivisible, with liberty and justice for all.”

Standing tall, I placed my hand over my heart as Miss Shelley our first-grade teacher, led us in the morning Pledge of Allegiance. Except I didn’t know the words. So, I mouthed it.

We’d been taught the Pledge in kindergarten. But I was kicked out of kindergarten. For being a crybaby and disrupting others.

When I finally learned to recite it, I had no idea what I was saying. Or why.

Justice for all.


In sixth grade, John asked me to the school prom. There were two Black students in our class, and John was one. He liked me, and I liked him.

One spring day, John rode his bike to my neighborhood, and I hopped on his handlebars; something we did in Brooklyn in the late 1950s.

My next-door neighbor spotted me. She wasted no time barging into my house to let my mom know.

“Do you know who your daughter is hanging out with?” she shrieked.

Justice for all.


Not long after that my friends and I were playing at our local park. Some boys started taunting us.

They got into our faces and said, “You killed Christ!”

I had no idea what they were talking about. I didn’t even know who Christ was and I certainly would know if any of us killed him.

Justice for all.


Attending Brooklyn College in my late teens, I majored in Education. My first student teaching assignment was in an all-Black school/neighborhood in Bedford Stuyvesant.

My first day of student teaching in a first-grade classroom, I was asked to get the kids on line for lunch. I did my best to settle them down. One boy glared at me and said, “Get your white motherfucking hands off of me.” Of course, I didn’t have my hands near him. But he already believed I was the enemy.

Justice for all.


A lifetime of witnessing racism, anti-Semitism, homophobia, and every other “ism” proves liberty and justice for all is a myth. It’s liberty and justice for some.

I’ll put my hand over my heart for the Pledge but just like first grade, I’ll mouth the words.
Sometimes I won’t even do that.



We Got You, Friend

“…this isn’t a Russian poem, this is not somewhere else but here,
our country moving closer to its own truth and dread,
its own ways of making people disappear…”
– Adrienne Rich, “What Kind of Times Are These”
Without words the feds snatch him hands up from the sidewalk protesting police in
camouflage in combat boots feds in riot gear in military-grade guns grab him from the
sidewalk who are you protesters shout use your words they shout to the feds to the tear
gas use your words to the youth in black mask to his silent hard hat what’s your name the
crowd shouts to his arms tied tell us your name they yell to his mask to his black t-shirt’s
words “God Is…” not a sound from his back to the crowd head down unmarked car not a
word from the feds we’ll get you out we got you friend the crowd yells to the tail lights to the
tear gas to the weeks protesting the knee that killed GEORGE knee on the neck nine
minutes knee on the neck four hundred and one years WE CAN’T BREATHE graffiti six feet
high on the concrete base of the federal building FEDS GO HOME painted red dripped down




Justice in Martinez

Phyliss Wheatley
first Black American woman poet
Sculpture by Meredith Bergmann
Photo by Elsa Lichman

I was raised in the 1950s in Martinez, a working class refinery town of 10,000 people on the Carquinez Straits in the San Francisco Bay Area. I was not really aware of class at the time, though I was aware of various ethnicities, since I went to a Catholic grammar school. We were all of Italian, Irish, Portuguese, Mexican, or combination backgrounds. Mine was Irish and English. When I went to public high school, I noticed two other ethnicities, Japanese and Black, though just a few families.


Fast forward about 60 years. Martinez is now a town of 38,500, a commuter town within striking distance of San Francisco and greater Bay Area jobs. It’s still the seat of the monumental county court house, but a new jail has replaced the small granite building I knew as a child. Main Street, which used to have a Woolworth’s and JCPenney, now has antique shops, restaurants, and three coffee houses for tourists and locals.

In July 2020, I was shocked to see my once sleepy hometown town featured on national TV! A white couple, MAGA-costumed in red shirts, were painting over a BLACK LIVES MATTER mural that had just been completed on the street in front of the courthouse. The woman was roller-painting black over the bright yellow letters, saying: “Not in my town!” while the man was videoing and spouting inanities like: “There’s no racism! Read your history.” A spectator was videoing him with his phone. That citizen video of the Trumpish pair defacing the mural went viral and even the Washington Post carried the story.

The director of Main Street Martinez, Justin Gomez, had received permission from the city to paint the mural. After repairing it swiftly, he organized Martizians for Black Lives and held a pro-Black Lives Matter rally at the Martinez waterfront a few days later. Although the protest received threats from right-wingers, the large rally was peaceful. My brother later told me there was a massive police presence in the background that deterred the disrupters from attempting violence.


Justice was swift for the pair who defaced the mural. They were identified and charged by the district attorney’s office with three misdemeanors: vandalism, possession of vandalism tools, and violation of civil rights (a hate crime). The DA who approved the filing, the first woman and Black person to serve as DA, has gotten death threats. On August 4, 2020, the couple pled not guilty and are due back in court in October.

I see my hometown now in an entirely different way. I’m proud of the new citizens of Martinez who believe Black lives do matter and are willing to join in the fight against racism. I feel chagrined that Martinez has a bigoted contingent that the Trump era has encouraged to come forward. Will justice be served if the BLACK LIVES MATTER defacers go to trial? It remains to be seen.


Transitory: A Catalog of Trans Murders in July & August, 2020

an Acrostic for Justice
July 16, Marilyn Cazares, stabbed and burned a week
under turning 23, Brawley, CA. Dior H. Ova, 32,
stabbed in a hallway in the Bronx, July 26.
Twenty-four-year-old Queasha Hardy, shot
in Baton Rouge, July 27. Aja “Rocky” Rhone-Spears
came to a vigil for a gun victim, stabbed in Portland.
Every day without a new murder, a momentary peace.





The Woman Who Lied About Emmett Till Is Still Alive.

to Carolyn Bryant Donham
Pin collage by Julia C. Spring

You are 84. You say his murder has ruined your life. You say you feel sorrow for Till’s mother … especially after you lost a son of your own. You say white supremacy was wrong, are glad it’s gone. You must not be watching the news.

Your then-husband and brother-in-law got away with murder. You never even went to trial. But then, you didn’t admit your lies for more than sixty years, the statute of limitations on perjury long gone.

For the record, in case anyone hasn’t heard, you’ve admitted that Emmett Till, fourteen, did not assault you, did not say, How about a date, baby?, did not speak suggestively to you. He was neither lewd nor insulting, he did not grab you around the waist while uttering obscenities, and you were not scared to death. Did he whistle? You say you don’t remember.

You’re exposed, Carolyn. The world knows who you are, what you did. It appears you’re looking for sympathy and understanding. I can’t imagine how much you’ll find. Especially since you’ve insulted the white supremacists by saying that they are gone – and good riddance. They’re a touchy bunch.

I can’t wish for you an easy death or salvation. I can’t imagine how either could serve justice. Nor could I wish for you all the excruciations of hell, even if I believed in such a place. Would this be enough to fit your crimes: To be utterly alone in a nursing home staffed by non-Caucasian aides who know who you are. They’re not bent on revenge. They deal in mercies, their impulses kind. But who could blame them for putting before and after photographs of Emmett Till next to your bed, just out of reach, replacing them each time your daughter (who visits once every month or two) or some white administrator takes them away? Who could blame anyone for not offering sympathy or comfort when you wake screaming in the night, tell anyone who will listen about your nightmare: underwater, unable to breathe, or see with the one eye you have left, a cotton gin wheel held around your neck with barbed wire, and you   praying   praying   praying   for a bullet that would put an end to it all.





Eight Reasons Why George Floyd is Dead

because he is black
and killing black people is normal
in the USofA
because the fractured crevice of racial hatred
born of four hundred years of slavery
Jim Crow    mass incarceration     police brutality
corrodes hearts minds institutions in the USofA
because choke holds by hands or 
knees block the breath of life
because the president tells us 
white supremacists are very fine people
because infatuation with 
lynching      the public ritual of it
resides in the temporal lobe in the USofA
because three armed officers-of-the-lawless
stood by     dispassionate     while
standers-by begged for mercy
Because each morning white people in the USofA
open our eyes      and have amnesia





Black Lives DO Matter

I raised my daughter in Oakland – the land stolen from the Ohlone tribe – near Fruitvale Station where unarmed Oscar Grant (a Black man) was shot in the back while lying on his stomach as he was being handcuffed, killed by a white policeman who “meant to Taser him.” Now I live on Pomo lands, a few miles from a town named after Confederate Army General Braxton Bragg, who owned over 100 slaves but never set foot in northern California. In 2015 the California Legislative Black Caucus sent a letter to Fort Bragg requesting a name change due to Bragg’s legacy of fighting to preserve slavery. The letter was ignored, but the issue is alive again, with many residents supporting a change and others wanting “history to be preserved.”

I taught in a segregated Black community in West Las Vegas during voluntary integration. I had only two white students: a liberal professor’s son, and a troublemaker no other school wanted. The year after I left, under a desegregation plan mandated by law, white students were bused into the Black community in new sixth grade centers, one year only. In each remaining grade, first through high school, Black children were bused into the white community.

I remember sitting in an auditorium, my Black child next to me, as we watched Black Nativity on stage. I saw proud parents snapping photos as preschool children dressed in Sunday clothes sang their hearts out. I cried, knowing the struggles ahead of them, with their skin color creating a lifetime of discrimination.

At my daughter’s sixth birthday party, our house was filled with children and parents from her predominantly Black school. The white puppeteer we hired presented a story about a bad little Black boy who turned white when he became good. As people left, my white friend told me how nice everyone had been, sounding surprised.

My film discussion group recently watched Just Mercy, focusing on racism and lack of social justice in the south. I reminded them it doesn’t only happen there. My daughter’s husband was stopped last month outside of Boston. Two Black men on a deserted road at night, stopped for “seeming to be in a hurry,” although they were going below the speed limit. Their car was searched before they were released. My daughter’s response? “At least they didn’t plant anything.”

Then there are the social media battles. My distant relatives write rants showing no understanding of their racist assumptions: “I do not support BLM. They are a terrorist organization. Who has the guts to agree with me?” is one example. Comments that follow are even more depressing. And now, derisive texts about Kamala Harris, questioning her birthplace, her ethnicity, her qualifications, show what she’s put up with all her life.

My daughter and her Black friends post daily about racial injustices. I respond in support, while countering racist comments from others. The divide is scary.

My daughter is tired. So am I.



Election Stories


Introduction: Winning the Vote

Back in, say, January, when the Winter issue of Persimmon Tree went live, who would have expected that, before the next issue appeared, a murderous pandemic would totally absorb all our interest and energy. And, as recently as the beginning of this month, who would have thought that the pandemic would, in turn, be almost entirely erased from our minds by another, more evil because more human, kind of murder – the nine-minute, cold-blooded killing of a black man by a white police officer – and by the protests that have engulfed our nation in response not only to that defining horror, but to all the racist assaults that preceded it.

In the midst of all this, it is easy to forget that this was supposed to be the year of a Presidential election. The primaries that for the first months of the year absorbed our attention have disappeared from our ken as if they had never been. The incumbent President has continued to sit like a fat toad in the White House, spewing his usual venom, while his would-be successor appeared until recently to be silently imprisoned in his basement..

But, unless Trump uses the pandemic and the protests as cover for a coup – a no longer unthinkable possibility – there will be an election in November. And we must give it our attention. Elections and protests are the two sides of a coin. Our right to vote was founded in protests; its continuation has been ensured by protests. And those protests have not always been peaceful, nor have they been without damage to property. Most of the photos that accompany these electoral Short Takes are of demonstrations and marches by, and the often violent arrests of, women campaigning to get the vote – a basic human right afforded us only 100 years ago, already well more than a century after the founding of our nation. 

The United States was conceived in protests that began because American colonists were denied the right to vote by their British overlords. The first volley of what became the American Revolution occurred in colonial Massachusetts, when men and women — who were probably called looters and vandals at the time but are now referred to as patriots and Founding Fathers – looted and destroyed British property, crates of tea, by tossing them into Boston Harbor. That initial skirmish led to the revolutionary war, a protest of unmitigated violence.

Nor were the women of 1919 the last to engage in protests in order to secure voting rights. The Civil Rights Movement of the 1950s and 1960s had, as one of its goals, obtaining for African-Americans the right to exercise their vote. It was clear to the leaders of those protests – just as it was to the American colonists in the eighteenth century and to the members of the women’s suffrage movement in the early twentieth – that only through the vote can we hope to secure life, liberty, and happiness for ourselves or for anyone. That only through protest will we secure and maintain the vote. And that, though many peaceful protests will be met with escalating police violence and obscured by the opportunism of looters and provocateurs, they are a bedrock part of the fabric of democracy. As the pandemic and the police killings show, protests and the right to vote are not enough. But there is nothing without them.

Do let these photos and Short Takes remind you: There is an election in November. Show up for it.




State of the (Dis)Union 2020

Women of the House and Senate wore white in memory of suffragettes
who marched, demanded, fought, and suffered state violence for the right
to stand, to be counted when mostly white men raised their voices,
cast their votes like Roman Senators, and ruled the land.

Heads high, backbones straight, these Women of Congress
wore white too bright to be eclipsed by shadows,
too starched to bend or bow, too proud to let the national clown
drown out their disapproval.

The Speaker of the House took her appointed seat.
Before her on the desk, the script of the State of the Union,
the weight of history in those white sheets.

In solidarity with her fellow congresswomen, she, too, wore white –
for justice like an old-fashioned western sheriff,
like the dissenters of more than a century ago
who insisted upon their right to suffrage despite tradition’s ignominy.

As the buffoon resurrected McCarthy ghosts, cold-war rhetoric, worn-out anthems,
boasting of our headlong descent into a century long gone
when men were men and women wore white aprons
and knew their place, she waited for him to end his rant.

And when the reality show was over,
and the buffoon had mangled language and canceled truth,
even as the applause endured,
there was no need to reread the State of the (dis)Union script.
The gaping wound, the rent in the national fabric, was far too deep to miss.

So even as the fool who would be king soaked up the acclaim
of his confederates in crime, having torn to shreds
decency and the rule of law,
offering in their stead his cult of power,
the House Speaker stood, dressed in white like those other women, past and present,
who took their places because it was (and still is) their right to do so.

Before the cameras, she stands in defiance, for the sake of the nation,
speaking even without words. She reminds us that tyranny cannot be tolerated,
she takes the many white sheets of the fool’s tirade
and, for the people, she tears each lie in two.


My Neighbor

Roberto is a decent type, a graying granddad who has the guts to raise his grandchild, a wild and headstrong five-year-old whose long hair whipping in the wind has caused him to be mistaken for a girl more than once, perhaps making him even more crazed.

To Roberto’s credit, he gets Beejay out on a daily basis, even though Roberto ends up running after him most of the time, powerless, as his grandchild rams into hedges on a bike or charges across intersections, deaf to his grandfather’s cautionary shouts.

One day, Roberto and I stopped and talked – friendly and neighborly – first about cars, followed by some pleasant commiseration about the world, but from there, we somehow moved on to politics.

“What? You voted for that…that person in the White House?” I said, incredulous, though still trying to appear normal.

“Not voting for Hillary,” he went on…. “Besides, there are too many immigrants nowadays and to make things worse, we’ve got a sanctuary city on our hands. They’ll be flocking here.”

(But, c’mon, your name is Roberto. Not Robert, not Bob, not…you know, Scott or Kevin or Keith. It’s Roberto! What about your roots? Your…)

“I voted for Clinton,” I said, trying to sound nonchalant. “Obama first, of course, and then Clinton.”

“Well, I voted for Obama,” he said.

“You did? Obama one day and Trump another?”

It’s true. Zigzag voting is not unusual. A personal setback, a stroke of bad luck, a hit of unfairness and certain voters go sour. Then with an audacity peculiar to action-driven Americans, they decide their vote should “shake things up.”

“Well, I could never vote for Trump. I think he’s…” and here I hesitated. How to find the right words for Roberto’s sake? Let’s see… should I mention my profound conviction that our present president is incompetent, ignorant, and also a monster motored by his own self-aggrandizement? But Roberto was my neighbor, a nice man, a person I sort of wanted to understand. Plus, he was a committed granddad with a Beejay to show for his efforts.

“I think Trump is… is nuts,” I said as companionably as possible, grossly tamping down my strongest instincts in favor of neighborliness.

“Nuts is good!” Roberto said, his eyes lighting up a bit.

Did I hear right? I gulped. But at that point, Beejay, in bulldozing mode, had yanked hard on my arm, causing me nearly to lose my balance. The game was over and so was the conversation. The Wild One had offered me a way out, ironically guaranteeing that our exchange would remain civil and friendly.

“Well, take care, Roberto,” I said, still reeling from Beejay’s vital life force. I crossed the street and headed for home, haunted by our eye-opening conversation. Months later, I’m still reeling. Nuts is good? The initial dizziness has subsided, but an incipient vertigo has remained.




State of the Union

We’re addicted to the sideshow –
the lady sporting whiskers,
donkey with two heads,
cotton candy frosting hair
on carny’s tattooed arm.
We’re hooked on big striped big top,
the popcorn and the stink,
riding crop and oil slick
of barker’s red-tailed spiel.
We love to peek at freaky things
behind the velvet drape,
to hold our breath in choked suspense
as net-less bodies fly.
We want to hear the lions growl,
see cars spit out more clowns,
exhale ahs of hot dog damp
when wrists are caught… or not.
We crave our penny’s worth of pound,
our barrel full of Coke,
the cannonball, calliope,
cold tang of something sour.


Now You See Him, Now You Don’t

This is a story from sixteen years ago. My client – we’ll call him Larry – was a state legislator representing a gritty district in an old New England city. Larry was a progressive, a maverick, facing a primary challenge from the city’s Democratic bosses who were tired of his non-cooperation.

A mutual friend, a state labor union official, suggested Larry call me to manage his campaign. I knew he was one of the good guys, so I said I yes.

My salary was $500 a week, a small sum, but I figured he would win the primary. A win always looks good on your resume. Larry had rented a cavernous office with cubicles and a large meeting space. The union furnished tables and chairs for headquarters. I brought office supplies from home. Few volunteers had mobile phones, and my first job was getting phones put in. Cash flow was always a problem in these campaigns, and I had magnanimously said I would wait to be paid until we got the phones.

Larry had a friend, a computer geek who would work from home furnishing voter lists. Larry’s lawyer headed the finance committee; another friend, a writer, would do publicity.

Larry didn’t carry a cell phone. I could reach him only by leaving a message on his apartment’s answering machine. Days went by when I didn’t see or hear from him.

The writer started sending press releases, diatribes against the city’s corruption. None was ever published. I began setting up fund raisers and contacting all the unions for contributions. Calls to the lawyer were never answered.

A union member regularly turned up to make Voter ID calls; a volunteer worked on absentee ballots. An old computer was donated but sat unused.

Picking up lists from the computer guy turned out to be a visit to the home of a hoarder where you had to move a mattress to get through the front door.

When Larry failed to show up at voters’ events on the schedule, he explained, “I said I might go.”

Nevertheless, the campaign received contributions, sold tickets to a successful spaghetti dinner and got union support. I was paid $1000, a check I quickly cashed.

Then I came in one day to see a lock box on the thermostat. The rent had not been paid. I worked that day at my desk wearing my coat, making my phone calls, including to Larry which he never returned. At the end of the day I packed up my car with everything I brought to the headquarters and left.

Larry did win the election, and afterwards I received some of my salary, not all but enough. Our paths never crossed again.




Obituary for the Voting Rights Act of 1965

In this poem I go to vote
in my sweaty yoga clothes.
I don’t powder my nose, put on
Revlon’s Russian Red lipstick, or
spray my wrists with Estee Lauder’s
Youth Dew perfume as my mother did.

I drive one mile to Iroquois Middle School
where both my sons endured
the agony of adolescence.
Two young women sell sugar cookies
and cupcakes for the PTA.
My neighbor, Ruthie, registers Republicans.
I walk to the next table
where my son’s former special-ed
teacher is registering Democrats.
How’s Ben doing? she asks.
I tell her he’s married,
works on Gordon Ramsey shows,
has a three-year-old daughter, Maia.
We both sigh with relief.

When I sign the register,
I’m the 200th voter of the day
even though it’s already 6:30 p.m.

I’m writing this poem to tell you
there were 27,000 voters in Dodge City,
Kansas, and only one polling place –
Outside the city limits – more than a mile
from the nearest bus stop.
Poor people, people of color,
Latinx people, denied the right to vote.

Somewhere in this poem is another story.
My son, Ben, thinks voting
is a waste of time.
Our government so corrupt,
we need a revolution.

I drive the mile home
to my split-level house
in Niskayuna, NY.
I could say I’m not
from around here.
It would be true
since I was born
in Poughkeepsie, NY.
But I can’t disclaim my ties.
I’ve lived here 37 years.

I’m scared that 27,000 voters
lost the right to vote in Dodge City
and it’s happening to the poor,
Latinx, people of color,
and immigrants across our country.

The Voting Rights Act of 1965
torn from limb to limb
and buried alive.


Campaign Walk

The Candidate hesitates and covers her mouth. Count to three. Don’t rush the gesture. The pause is perfect. In my peripheral vision I see the camera operator wipe away a tear.

The Candidate regains her composure. She’s rehearsed enough to know not to look at me – standing in the shadows behind the lights. “To those who question my ability to serve, to take the interests of our children and our future to heart, let me say, I have not always been childless.”

The camera pushes in on cue. On the wide polished desk, bronzed baby shoes shine next to three books: the Bible, Profiles in Courage, and Ben Franklin’s Autobiography. The spines face the camera, as do the metallic shoelaces. That’s the first tell. No one sits at a desk with their books or child’s shoes facing an audience.

“I had a glowing, growing baby. Samuel. Named after my great-grandfather. A laughing tow-headed boy. That life has never left me. I grieve for him still.”

She remembers to touch the bronze shoes beside the Bible. Good for her.

“I owe it to Samuel to make this country great again. To rebuild her cities and restore her farmland. To put her people to work and help those in their time of need.”

The prompter is going too fast. I glare at the dolt, motioning with a flat palm for him to slow down.

“Not every life gets to live to its fullest. My darling son was taken from me too soon. He never reached his potential. Sadly, I wasn’t able to nurture and guide Samuel to greatness, but I vow to do that for our homeland, with your help and the divine grace of God.”

Pause. Do not move. We practiced this.

She does not move. She keeps her eyes on the lens. I count along. One. Two. Three. Four. Five.

“With a mother’s love in my heart, a fighter’s will, and a dreamer’s hope, I promise to bring the prosperity and peace to this land we so treasure. In the name of my dear son Samuel. Good night and may God bless the United States of America.”

Don’t move.
Do not move. It’s not over.
Stay put.


The camera goes dark.

And it’s over.

I hurry to her, “You did good. Hit all the marks. Well done.”

“Get me out of here without questions. Tell them I’m emotional, but, you know, not falling apart or anything.”

“The revelation to the country of your departed son has left you raw and we’d appreciate your compassion and understanding.”

“Perfect. Where’s the car?”

“Through the kitchen.”

She nods and is gone. The camera crew packs and the grips roll cable. Another spectacle done.

I gather the desktop items for the next stop. Books. Bible. Bronzed baby shoes: my thrift store find of the year. Whoever wore these – the little sucker’s gonna walk us all the way to the White House.




Judgment Day 2016

Woke to a sea change we didn’t foresee,
and now we all own it, you and me.
The people marched and the people prayed,
but nothing could change that judgment day.

Some children cried and some children died,
while the politicians prayed and lied.
How can they not see, how can we not say
that every day is judgment day?

Guns and crack and smack and coke –
the rich get richer and the poor get broke.
How can they not see, how can we not say
that every day must be judgment day?

Beneath the machinations churning,
our hurting earth is slowly burning.
How can they not see, how can we not say
that every day is judgment day?

Harsh words, like wind, just wreak destruction,
and willful ignorance, corruption.
God help us if we don’t use better
judgment come next judgment day.

There’s yours and mine and theirs and our facts,
but truth is always way more complex,
hidden deep within the noisy fray.
Be truth in action on judgment day.


The Family That Votes Together…

Election Day was a big deal in my family. We went to the polls en masse. Of course my cousins and I couldn’t vote yet, but our mothers never missed it, and they wanted us there with them.

We loved it. The mystery of the draped booths. The slam of the big lever finalizing someone’s choices. The curtain screeching back on metal rods. The official poll watchers bustling about with their clipboards. We couldn’t wait until we were old enough.

It was a neighborly section of Brooklyn – old Brooklyn, not hip, not Millennial, not overpriced. It was everybody-knew-everybody Brooklyn. So when we’d bustle into the polling place with my grandma and her father – my great-grandfather – it was like arriving at a party. And it was expected that either my mother or my aunt would be assisting Grandma and Zadeh in their booths.

Grandma had emigrated from Russia, following her husband who had gone on ahead. She could read a little English but needed help with which lever went with which candidate.

Zadeh was already fragile by then, and his eyesight was failing so he had to have someone in the booth with him. But there was no possibility of his being influenced. They could hear him telling my mother, faintly but forcefully, who he wanted to vote for, and occasionally why. He wasn’t concerned with privacy. He’d been an activist in Russia, and was “asked to leave” the country because he caused so much trouble. This, at a time when leaving was forbidden. He was ancient now but the fire still glowed.

Probably where the family got their ferocity. No way was Grandma going to miss an election. Nor were my mother or my aunt. And when we finally came of age, we made a grand entrance into the polling place, with all the poll watchers and other voters congratulating us and shaking our hands.

But, I once asked my mother, why do the people we vote for, always lose? Adlai Stevenson twice to Eisenhower. George McGovern. Eugene McCarthy. We never got Ralph Nader, for all the times he ran. Or Al Gore (and we should have). We did get Kennedy, but not for long.

She laughed. Doesn’t matter, she said. Once, we couldn’t vote at all. Now we can. So we vote, and we vote for whomever we believe in.

And so even in this crushing new world of gerrymandering, voter suppression, machine rigging, and self-focused politicians, I always do.

It’s in my genes.




Role Model

My grandmother Ruth,
born of Russian Jews,
drove in the Red Cross motor corps
at the end of the first World War.
In New York, she chauffeured
soldiers on ships wherever they needed to go,
took Spanish flu victims
to where they needed to go.
She wore her pin as proudly
as she did her right to vote, when it came.
She signed herself “Grandma,” in quotes
when she wrote, extolling
her grandchildren for everything:
our our school prizes, concert going, museum visits,
sketches, athleticism, my playing Emily Webb in Our Town.
She practiced yoga every day at home,
was the fastest walker in the City,
when we visited, she played Chopin Preludes
and had us invent dances.
Teaching yoga regularly, at the 92nd Street Y at seventy,
she was always dressed in leotards and a wrap skirt,
even swimming at Jones Beach, out on the island, near us,
where she vamped, hands on her hips, no skirt,
nose in the air. No cares.
Eighty-five, in red Keds, glasses ever lost
atop her head, she came with
my parents and my new husband
on our honeymoon on the Olympic Penninsula,
enjoying her cabin, like one we rented together
on Lake Willoughby when my siblings and I were children
that time she insisted we keep journals,
walk to town every day, play tennis after swimming.
She took Amy and me to Fire Island one summer,
where she took off her top on the beach,
she who had long celebrated female beauty:
praising, in contrast to our Catholic mother,
our own bra-unfettered breasts in our hippie days at home.
Born in 1900, she passed in 2007.
Today, on the 100th anniversary of women’s right to vote,
I play note after note on my piano,
finding her again in Beethoven and Chopin.



When I Was 17…

by Jean Zorn

We named this month’s Short Takes section after a song that was performed most famously by a man – and that exhibited a distinctly male point of view. There is another song, more apt in so many ways, that we should instead have chosen. When ABBA recorded Dancing Queen, the main vocal was sung by the two women in the group, the men on board just for backup and harmony. The lyrics are from the perspective of that seventeen-year-old girl. And, most germane, the song sums up what all the marvelous pieces we’ve chosen for this issue describe: at seventeen, we have within us all we will become, and yet we’re still at a moment when we might, depending on circumstances, character, and luck, become almost anything. But we don’t know that yet. We are not yet what we will be; we are the shy girl, the bookworm, the tomboy – or the Dancing Queen:

You are the dancing queen
Young and sweet
Only seventeen
Dancing queen
Feel the beat from the tambourine, oh yeah
You can dance
You can jive
Having the time of your life
Ooh, see that girl
Watch that scene
Digging the dancing queen

Take Elizabeth Warren, for example. By seventeen, she had already been the star of her high school debate team. But she was also a child of the 1950s, of Oklahoma (on the scrabbling, southwestern fringe of America’s so-called heartland), and from a family who, as Warren herself described it, was teetering “on the ragged edge of the middle class.” Warren’s mother called herself a housewife, as women proudly did then, even though, to keep the bank from foreclosing on the family’s home, she worked a full-time, minimum-wage job at Sears.

The part of Warren that had won those debating trophies enrolled at George Washington University. But there was another part of her that believed, as women were taught then by every romantic movie they saw and every book or magazine they read, that the natural goal of all good girls was marriage and children. That part led her, at seventeen, to drop out of college, marry Jim Warren (one of the guys from her Oklahoma City high school), give birth to his daughter, choose to be a stay-at-home mother, and even follow him as his jobs took him to Houston and then to New Jersey.

And in that life and that marriage the Dancing Queen might have remained, but for those occasionally helpful standbys, circumstances, character, and luck, that impelled her to finish her college degree at the University of Houston. Even then, she saw herself in traditional women’s roles. Her highest aspiration for herself was to be a teacher, and she taught in the Houston public schools until the move to New Jersey cut that short. The first wave of modern feminism was changing what many of us believed about ourselves and the limits we had set on our aspirations. Perhaps that had something to do with her decision to enter law school when her daughter was two. But even then, the realities of women’s lives – the circumstances and luck – colluded. Unlike Ruth Bader Ginsburg, who had not been offered a single law firm job when she’d graduated from law school almost twenty years earlier, Warren was sought after by the large New York firms. But, a soon-to-be single mother of two, she turned the offers down so she could work from home, drafting wills and writing up real estate closing documents at her kitchen table.

From there, we know the path: law school teaching, a constant trajectory of moving upwards to more and more prestigious law schools, and a slowly developing interest in bankruptcy law, one of the legal fields seen – probably because it involves banks and money – as particularly the domain of men. The more she grew to appreciate the important protections provided to ordinary hardworking people by the bankruptcy laws then in effect, the angrier she grew at the conniving of banks and lenders, politicking to get the legal scales tipped back in their favor. The next step – moving from an interest that was primarily academic into activism on behalf of families and working people – was, for Warren, inevitable.

There are so many ways in which her life and career, up to and including her run for the presidency, corresponds to the lives and careers of all the women of our generation.  There is, first, the continuing likelihood that because she was a woman, she might never have had a career outside of the home, or, if she had, that it would have been in elementary school teaching, a noble profession but less likely to lead to the White House. There is, in addition, the accidental nature of much of Warren’s career. Like most women, she had no clearly ascendant goal when she graduated from law school, not even of partnership in a big law firm, let alone of high political office. Women our age, even as we found the courage to get degrees and jobs and baby sitters, were taught not to set our ambitions too high, nor to push for those ambitions too overtly. Instead, through circumstances and luck, the increasingly more important jobs came to her.

Well, partly through circumstances and luck. Of the three conditions, character may be the most important. If she hadn’t been who she was, if she hadn’t been that seventeen-year-old high school debate star, if she hadn’t persisted in finishing college and then law school, if she hadn’t been drawn to the humanity lurking in an area of law that most male scholars treat as if it were as dry and inhumane as dust, if she hadn’t made the leap from academics to activism, if she hadn’t been and done all those things, she would not have been Elizabeth Warren.

When we are seventeen, all that we can be is there within us. But only circumstances, luck, and most especially character will decide how much of it we become.




A mid-afternoon in June we heard him
coming down the stairs to find us spooning
on the single bed in the basement, the lower parts
of our bodies unclothed under blankets.
He sat down in the old captain’s chair
rolled a cigarette, asked about our day,
amber flecks of tobacco falling on his knee.
That was my father, half lost
in himself and the symphony of images
he would paint, his own music so loud
that he never flinched when the needle
stuck in the last groove of Joni Mitchell’s
Blue. Not one of us budged,
the smoke of his cigarette curled
into a lyric of its own.


I Stole Francie Bigassi’s Boyfriend

It wasn’t hard. We were at a weekend leadership retreat at Cumberland Falls State Park. My diet pills had worked, so I was wearing a size six denim shift with an apple embroidered at the bustline. Sleeveless to show off my tanned arms. An upperclassman with an easy laugh and a deep voice, Marty towered over me. We danced and talked until curfew. I kept his red tie because it matched the apple on my dress. Back in the bunks the girls told me Marty was Francie Bigassi’s boyfriend. They said Francie was one tough cookie. I said any girl with a name like that deserved to lose her boyfriend.

On Monday, Maxine knew where Marty and Francie sat in the cafeteria, so I went up to their table.

Marty, I forgot to give you back your tie.

That felt better than being thin.


Connection Costs

After high school graduation in 1965, I get my first job as a long distance telephone operator. From June through August, I sit, headset on, plugs at hand, staring at rows of unlit bulbs. One glows. My stomach contracts. I hesitate. What kind of call awaits? I plug in (because I must) and toggle the switch to hear and be heard. “Operator,” I say. A voice requests the most basic kind of call, station-to-station. I dial the number; wait for the ring, then toggle the switch assuring privacy. I breathe in the smugness of success. I thank the god of fate for luck and wait for another light.

Callers have a choice of call types – station-to-station, person-to-person, or collect which can entangle with station-to-station and person-to-person. For each, I have a script to follow, one that assumes alacrity of connection.

Person-to-person: “I have a call from___ for___.” 

A yes/no choice for the call’s receiver. Yes, that person is present (the one speaking or one nearby). No, that person is not available. I leave a call-back number. Not too difficult; a smile for fate; a plea for luck when the next light glows.

Collect: “I have a collect call from___. Will you accept the charges?”

Here lie two outcomes. A verbal skirmish; a caller trying to talk before I’ve completed the contract for payment. Or, a mystery of why charges are denied. Experienced operators say it’s a signal to call back, avoid higher collect call rates, used mostly by college students. College, my destination in September. I will remember this. I laugh at fate, shake hands with luck.

Long distance from a pay phone: “Please deposit $ __.”

My gut roils. Luck decamps and fate asks for a sweat sacrifice. I find the charges from ___ to ___. The caller deposits quarters, dimes, and nickels into slots. Each coin sends a unique tone. I count them, hope my arithmetic skills hold, hope my intense concentration doesn’t stray. The last step, remember to pull the coins into the box. I wait the three minutes, time allotted for pay phone conversations.

Breathing stops. Did I pull the coins into the box? Memory backtracks until I hear collected coins jangle, fall onto metal.

Electricity hums in cool air. Sweat on my upper lip dries. I breathe easily until a light comes on. Fate lets luck hover above my hand. I reach for the plug.


On My Own Two Feet

Until I turned three, family photographs showed a happy child. Then it was time to take care of my lazy eye. From that day on, I was transformed into an awkward chubby girl, then a teenager with short brown curls and heavy glasses.

When I turned seventeen, I enlisted in the army. The photograph from my army period show that I lost the glasses plus several pounds. Not a great beauty but pleasing to the eye and able to conquer the hearts of the other sex. No compliments, affirmations, or even a verbal approval from my mother reflected that change. I was still her awkward offspring. The one who would never match up to her younger brother.

The conversations with my mother followed the same pattern for years. “I don’t understand,” she would say, and my insides tightened.

“I do not understand why you married this man,” she said a week after my wedding, and repeatedly in the coming years.

“I do not understand what it is that you’re doing,” referring to my professional choice to become an educator (just like her).

“I don’t understand why the kids never eat,” was another favorite, meaning my daughters, who routinely declared a hunger strike on our visits.

Forcing me to wear clothes she sewed for me was, I was convinced, a form of humiliation. Cruising the streets of Jerusalem in search of material, then spending hours in front of the mirror being stabbed by sewing needles. When I was sure I had finally broken free, she showed up before my wedding day with a dress she’d made for me. All that was needed was the final fitting.

That sense of not being good enough, not quick enough, not pretty, and not as talented as my younger brother was always there. A curse, but in some ways perhaps a blessing. Once I turned seventeen and joined the army, I learned to stand on my own two feet.

Still, every year when I drive up the steep hills into the city that used to be my home to visit my parents’ graves, I am reminded of being an awkward seventeen.

I pick a few stones and put them on the grave as tradition dictates. Then I update my mother on my life in the year that just ended:

Still married to the same man,

Kids are all grown up,

Not an educator anymore.

When I get to the last part, my current profession, I hesitate for a minute. I know what she would have said if she were still alive:

“I don’t understand why you went to school and got a master’s degree, so you can become an innkeeper.”

But now, finally, I can smile.



Mother and Daughter Pretend

When I was seventeen, sharp abdominal pains sent me to the hospital, initially for observation, but the following day I was wheeled into the operating room. The general surgeon removed a dermoid cyst, complete with partially formed teeth and hair, attached to my ovary like a remora. Not only did the surgeon remove half of my reproductive organs;  he performed an appendectomy as well, endorsing it as a preventative measure. A jagged seven-inch scar curved from belly button to pubic bone. During my recovery, my unemployed, despondent father paced the hospital corridor. Later, saddled with bills and burdened by his own trauma when he was seventeen, he plunged further into depression.

A few months later, as I neared my high school graduation, he attempted suicide, painfully suffering from his self-inflicted injury until his body surrendered. My mother wanted my opinion about an autopsy on a body that two weeks prior had been a sullen man, but very much alive. I was horrified. A nurse handed us tiny white pills, which we washed down with paper cups of water.

At the funeral home my mother asked me to choose his casket. I did, with all the sensibility of a seventeen-year-old, choosing a gray box. During the viewing, I sought refuge in a lounge. The joviality of relatives and acquaintances buzzing around the room with my father’s closed casket was too much. I puffed on cigarettes. My absentee brother joined me once.

I wandered the school corridors, shell-shocked, my mind now a blank in every class. During that time, I met a rebel, my future husband. I was fully aware of my choice, as he was the opposite of my gentle father. Two welcomed daughters arrived as I endured nineteen years, finally divorcing the violent drug addict.

There was no denying that what happened at the tender age of seventeen profoundly influenced my life. Especially when the horror of the first six months of a blossoming teenager was swept aside by friends and family.

A mother and daughter pretended. We cried in separate rooms. We never spoke about my traumas, as if my disfiguring operation and my father’s death never happened. Each day going forward was to be no different than all the others. Not to my family, not to my neighbors, not to my classmates, as though the silence would rewrite my history. Only then  could I be a normal seventeen-year-old.



When I was seventeen…

When I was seventeen, I was five feet ten inches tall and weighed a hundred pounds. I stood out when I stood up.

When I was seventeen, I was a practicing Catholic. My mother had been in a car accident a year earlier, and after a period of intensive rehab, her doctors said she would never walk, think, remember, or speak clearly again. Since only a miracle could change her back to how she was before the accident, I prayed for one, pleaded for one.

When I was seventeen, I climbed into bed every night with the imprint of my rag rug on my knees. I recited the Holy Rosary every day and confessed every impure thought. Throughout the six weeks of Lent, I attended mass daily. I made promises to God about how I would live the rest of my life if only He would heal my mother, and even issued Him a few ultimatums. But no matter how hard I prayed or how many times I went to mass or how many other proofs of devotion I offered, my prayers remained unheard, unanswered.

When I was seventeen, unlike most of my peers, I knew that terrible things happen at random, that there’s no protecting against them, no fixing them, and no silver lining. In addition to being different on the outside, the experience of unmitigated loss made me different inside too, estranged.

When I was seventeen, I still had my faith.



A Life in Pieces

When I was seventeen my mother looked up from her sewing machine and said, “When you get married I shall make you the most beautiful wedding dress. It will be my magnum opus and you will walk down the aisle to admiring glances and feel like a princess.”


“Do come in.”

The woman stepped into the hallway of the empty retirement apartment.

A sewing machine stood in a wheeled teak cabinet.

Decades ago my mother had sewed my ivory satin wedding dress on it. Then she sewed three hundred pearls onto the front of the bodice, by hand. She also designed and created three pink bridesmaids’ gowns, copying HRH Princess Anne’s bridal style after her Westminster Abbey nuptials. Her magnum opus, that wedding.

“It’s a superior model,” the woman said, stroking the teak cabinet with her fingertips.

“Yes, she maintained it fastidiously; she sewed all her life. Only six weeks ago Mum shortened a beige cashmere skirt. She was less than five feet in height. Nothing bought in the fashion shops would fit,” I said.

My mother had fallen, broken her leg and never recovered. She was eighty, “a good innings,” people said, as if she’d played cricket.

The woman said, “Our charity runs community classes and sewing is now very popular. They’ll be so grateful for this machine.”

I wheeled the cabinet towards the door. The castors bumped up against the wooden threshold. One of the teak legs buckled and snapped off with a crack.

Tears welled up and spilled over.

“Don’t worry, our cabinet maker will fix that,” the woman said, laying her hand gently on my arm. “We are very grateful for your mother’s treasured machine.”

I wiped my eyes and together we eased the wobbling unit into the hallway.

The cabinet’s door swung open and banged against the wall, startling us both.

A paper carrier bag tumbled onto the floor, spilling out jagged remnants. Pink satin, an unfinished lace-edged handkerchief, and a two-inch-deep strip of beige cashmere, followed by a trickle of small pearls.

I picked up the cashmere.

It smelled of Mum.



One Girl from 1972 to 1973

Seventeen was a kaleidoscope. We were backlit by TV screens filled with Vietnam heartbreak and Watergate trust-break. 

I chafed being under my mother’s wing, shrugging off her protective arm when crossing a street. I bristled at her every word.  But when she went away to help one of my older sisters who had given birth, I ached for her.

Fear of looking un-cool constrained me. I didn’t ride my brother’s bike all over town anymore, button my coat or wear a hat in the cold, act in the play (ridiculed by my class), talk to anyone “weird,” or act like I cared. But I had my license, and got to drive sometimes. I knew the soundtracks from West Side Story, Camelot, Hair, and Jesus Christ Superstar, and belted them out them when nobody else was home. I liked some of the weird kids. And I did care.

My first boyfriend had broken up with me after junior prom; that soreness lingered like a ghost. I went out with other guys, lukewarm about most of them. I didn’t risk rejection by pursuing the ones I really liked. I disdained marriage and motherhood as primary aims. But I still adored babies, and hoped for love, romance, and clear skin.

My mother, aunts, sisters, cousins, and neighbors were traditional wives and mothers. That didn’t inspire me. Female wasn’t the number one slot in our immediate culture. Career? Rare. Speaking out? Dismissed. Independence? “Honey, how are you going to do that? (Chuckle, chuckle.)” I was resigned, and angry. Still, I basked in the support and the sunny funniness of women, and loved them. Loved the men too.

Seventeen was tender-skinned, with elation and despair all in the same week. It was sweaty palms before a test, a sentimental heart pitter-pattering around a cute boy, and eternal minutes on classroom clocks. It was thinking the future was Friday night. It was thinking you knew it all. It was not thinking.

Then, I was pieces of who I would become. Now, all my pieces still contain who I was when I was 17.



The Week of June 26th to July 2nd

When I was 17, one Saturday I inscribed, “Here are three poems I wrote. They don’t express what I feel.” I elaborated, “My aim wasn’t that. It was to write more maturely using symbols and images.” I could not help adding, “I feel really unsure.”

Through pools of water I walk
My past fading away in the ripples of time
The farther I walk
The closer I get to the dry sand
Where the empty shells preside.
I cannot walk fast,
The water is too deep
But it does not matter.
I have time enough
To make it to the other side
Before the sun goes down
And leaves me with the fleeting ripples
And the dry sand.
The little green car
That took me to the supermarket
The movies
The winter clearance sale
The free painting lessons
And the French restaurant
Has been replaced by
A long black one.
They listened
As the words came flooding out
And ran over my lap
Onto the floor.
They stared
As my voice
Crept higher and higher up my throat
And grasped onto me
And cut me off
So I could speak no more
And then they looked away.
This Short Take is an excerpt from the author’s upcoming book, White Snake Diary: Exploring Self-Inscribers, due out April 10, 2020 from Atmosphere Press.


No Mistake at All

I was in Memphis, Tennessee visiting my adored grandmother, Mama Mamie, for a few weeks during summer vacation. It was rare for us to leave her little hometown for a shopping excursion in the big city.

After a few hours of power shopping, we were burning up in the blistering heat. So we took a break in a lovely city park – pink azaleas like cotton candy spinning circles around magnificent magnolias. I was enchanted; magnolia trees didn’t thrive in Michigan, where I grew up.

It was the quiet that caught my attention. I was watching an ant crawl around the toe of my white sandal carrying an impossible load before it disappeared in a crack at the base of the drinking fountain. The water was refreshing. Much cooler than I expected, so I took a second drink. From that head-upside-down vantage point, I saw Mama Mamie’s chunky-heeled church shoes drawing close. I stood up and swallowed the water.

In her pale pink suit, she looked like a Popsicle about to melt in the brutal sun. A steady line of little kids waited patiently to get a turn on the slide. I heard a few giggles. Mama Mamie placed a weathered arm around my shoulders, her sweet lavender fragrance mingling uneasily with the smell of many close-up bodies. She guided me towards the shade of a live oak tree, but I was still clueless until I saw it – another drinking fountain. A fountain for white people like us.

Okay. No harm done. Jim Crow raising his ugly head. That’s all.

No need to feel embarrassed. Humiliated. Rattled. A simple mistake. That’s all.

Giggling rose again from a crowd of cute kids.

I took a deep breath and climbed back into my white skin.


Short Takes: Arts and Crafts

Persimmon Tree was founded by women who deeply felt the almost total exclusion of women over sixty from a place in the artistic canon. Women of our age – even more than women generally – found it almost impossible to get their work published, displayed, or promoted. This issue of Persimmon Tree – a summer fest of the art, crafts and artistry of women in their sixties, seventies and beyond – is a tribute both to the artists and to Persimmon Tree’s original editors, women themselves, brave – and foolhardy enough to decide that, if no one else would publish women like us, then we would just have to do it ourselves.

And if this issue is to be a summer festival of the arts, it must be the theme of Short Takes this time around as well. We purposely left the invitation to the Short Takes contributors general: write a short piece, we pretty much said, on whatever facet of the arts interests you at the moment. Tell us whatever about the arts you’d like us to know. And we got, as you will discover when you read on, a delightful, distinguished and most variegated assortment of prose and poetry.

There is, however, a sub-theme that unites many of these pieces. It is not just the public that discounts the talent of women over sixty. We ourselves share that perception a little bit. Even as we aspire to become better writers, painters, weavers, composers, we question our abilities, our talents, our right to a room, or a publication, of one’s own. It is not surprising, perhaps, given the world we came of age in – the world we still live in – that we who were first into the second great wave of feminism have nonetheless not escaped entirely the view others have of us. As this issue attests, however, they – and we — are so wrong about us.

But, at least it makes for an exceptional batch of Short Takes. I invite you to enjoy…




Memory Quilt

I didn’t often venture past my courtyard the first few months after my husband died.

Somehow, that crisp spring morning, I pushed myself out the door thinking it would do me good to get some fresh air. As I took to the walking trails, the cheerful chirping of the songbirds and the faint scent of pine trees slowly reawakened my senses.

The Pine Hills community where I lived was sponsoring a crafts fair on the village green. I meandered through the fair with little enthusiasm, but was drawn to an Etsy booth that featured striking colorful quilts with contemporary designs. I struck up a conversation with the two men who ran the booth. Henry designed the quilts and his partner Brian sewed them. Inspired by their creativity, an idea took hold of me. I asked if they could make a memory quilt from men’s ties. Before I knew it, I was telling them about my husband Dick, our lives together and how he had recently died from glioblastoma. The tears that previously had not left my house, flowed freely. Brian shared that his first husband had also died of glioblastoma. We hugged and cried together. I spent much of the afternoon at their booth, where they provided me with a chair, a box of tissues and warm understanding.
Later that week Brian and Henry came to pick up the materials. Since Dick had worn a tie to work every day, I was able to provide them with a multitude of ties and shirts. They reassured me they would have enough to make five quilts, one for myself and one for each of my children. I pulled out a tie I had bought my husband for our anniversary that had the Hebrew words “Ani L’dodi V’Dodi Li” – “I am my beloved and my beloved is mine” – from the Song of Songs. The wedding rings we exchanged 42 years ago bore this inscription as well. I asked them to incorporate that tie into my quilt.

On delivery day, I was astounded to see an incredibly beautiful butterfly design.

“You totally surpassed my expectations! We raised butterflies, photographed butterflies and they were a very important symbol in our lives. How did you know?“

“When we saw your house we sensed your love of nature and butterflies. Working with your husband’s shirts and ties, we could feel his love and compassion and it spoke to us and this design came to mind.”

The quilt is draped over the couch in my living room. People often comment, “It is a work of art. Why don’t you hang it on the wall to display?” But I like to wrap up in it every night and feel the love and cherished memories it holds.



Thirty-one Syllables

My father sits at the wrought-iron patio table, sumi-e brush in hand. He dips the brush into the ink well, staring out at the persimmon tree and beyond.

The windfall of rotting persimmon has wafted through the air and drawn teeming wildlife. Last Saturday, a sea of iridescent Junebugs appeared, splashing their Orient splendor on the floor of our yard in a liquid current of metallic blues and greens. It is our first attempt at banana squash and they are thriving; some have grown two feet long and thicker than a sumo wrestler’s arm.

My father refuses to spray the banana squash. Instead, he sets a few choice ones on sawn pieces of two-by-four beams. The rest he leaves for the hoards of insects that have magically appeared. He seems pleased.

Is he reliving a time when there was not enough to feed the family? Is there solace in this scene where, as with unleavened bread in an earlier time, there is enough for all? Do the iridescent beetles count among the syllables of my father’s poems?

He leaves the fallen persimmons where they lie. Is it age or is there some hidden intention behind his action?

My father pushes the block of chalk to and fro, in unison with his breathing. It is a meditation practice, to empty the mind. What syllables is he contemplating? Is he recalling the time when he patiently waited as his older brothers crossed the Pacific in steerage, one by one, to join their father in America? At last his turn. In his passport photo, he looks sad for a young teenager. Sorrow must have been his companion while crossing the ocean alone, leaving behind his mother and all he had known.


When the fruit trees start crowding one another’s canopy, my father is reluctant to uproot one of them. He says the shock may be too extreme and the tree may not recover. Instead he prunes the branches and the trees lace together in a natural embrace.

My father is a man of few words. Is it his training in tanka that makes it so?

Is he counting syllables when he speaks to me? Silence is full of loud exclamations.

His sumi-e ink forms characters across the rice paper. Five lines, standing in formation by syllable count: 5, 7, 5, 7, and 7.

It takes a poet, meditating as he prepares ink from a block of charcoal, to sweep aside the distractions of rushing traffic, flying e-mails, and chirping cell phones, to once again see that which is only visible to the eye and the senses.

I see the thin line of economy threading through the natural world. There is precision and eternity in the count. Tanka is a centuries-old long tradition, intended to capture all that is hidden in nature.

He listens to nature’s measured whisperings, while softly, steadily, counting, counting, counting…

Poetry by Takayuki Hattori.





I used to collect teapots, when I still collected things. You can tell my favorites by the depth of the brown stain within. They say not to wash that out, not to use soap or scrub aggressively because the tannins build up and contribute to the flavor, like memories.

My favorite pot was a gift from my husband Marc. It is ceramic, a full eight cups, with a beautiful spout. He bought it at one of those crafty shops where you pick out the object you want, decorate it yourself and have it fired. He bought it for me during a dark time in my life and painted it cream with six bunches of blue daisies and yellow daffodils climbing up the sides. The leafy stems dance around the circumference and a ring of green leaves adorns the lid hallowed by a blue daisy at the center of the knob. I see this teapot every morning, on the shelf above my vitamins, and I use it when people come over, or when I am sick and need to brew a big pot. In this teapot I always use Swee-Touch-Nee tea bags stored in the red, gold and black metal manufacturer’s tin given to me by my father 35 years ago, still shiny with its neat rectangular lid. It was a Passover gift.

Each spring, in my father’s memory, I buy a fresh paper box of 100 Swee-Touch-Nee tea bags and put them in the tin. They make a good strong black tea, fine either with milk or lemon and honey, good at any time of day. A hamish cup of tea, like my father.

Inside, the teapot is dark with tannin stains. I give it a good rinse and let them be, ignoring the urge to scrub. I do the same now, 12 years after my father’s death, with some memories of him. Those still need to steep a while longer.


William Owen

Every Saturday afternoon, I waited for William Owen. Bent over his walker, he shuffled in at exactly ten minutes before the hour and sat in the fourth row, third seat from the right. He weighed less than a sack of potatoes. Unlike many of his classmates, he never fell asleep. At attention, his eyes wide behind thick glasses, the film class was his manna. He spoke once in four years. After Terence Malick’s Days of Heaven, William Owen’s voice exploded like an unplugged pipe. “That was beautiful,” he said. He never missed a session. On the Saturdays I felt exhausted, I thought of William Owen dragging down the aisle with his walker.

Then, his name wasn’t on the fall enrollment list. I stumbled through my first lecture without him. The Activities Director assured me that William Owen was alive. “He’s very fragile. He’s 89 years old,” she said.

By now the film class had over 100 people in it, but no one came every week. No one held on to my words. Without William Owen, I felt adrift and despondent.


Thinking vigorous exercise would help, I signed up at a gym and drove to the mall for workout clothes. A small store tucked down one aisle caught my attention. Surfing posters brightened the black walls, and the floor boasted a five-pointed star gone psychedelic.

I reached for a hot pink tee shirt blazing “Bitch” in white sequins and chuckled. A young man walked towards me, his long legs squeezed into black leather pants. His left hand gripped a cell phone. I shoved the tee shirt back on the rack. I felt too old to be in the store.

Dyed black hair swung over one eye. He stared at me with the other. “Did you teach Poetry?”

I nodded. That was five or six years ago.

“I was in your class. Great class.”

He didn’t look familiar even with five earrings in his right ear.

“I didn’t dress quite like this.” He gave a boyish grin.

Then I saw him – he had been clean-cut in rumpled shirts and khakis. The last class, he shyly handed me his CD: jazzy rock with good lyrics.

“Of course. Still writing?”

“Well, it’s mostly music now, which is great, but …”


“There’s something about writing just poetry, you know?”

He had struggled at first. By his last poem, a letter to his father, he eloquently argued to end their long-standing conflict. The students had clapped like crazy when he finished reading aloud.

In the Poetry class, words had been important, and now I wanted to give this young man a whirligig of wisdom.

“Gotta get back,” he said. “I’m the manager. Just seeing you inspires me.” He put out his hand. I shook it and he quickly left. Words weren’t necessary; I had been his William Owen.



As distinguished from crafts, those myriad Girl Scout and grammar school projects – lanyards, felt ladybug pincushions, lace doily hearts pasted on red construction paper, art with a capital “A” is found in museums and galleries. As a teenager I adorned my jeans with embroidery and ribbons sewn on the hems. I carted dusty misshapen lumps with wicks home from the beach, sand candles with unstable bottoms whose rivers of muddy purple and red wax marred the top of my dresser.

My daughters and I, on a spa vacation the week between Christmas and New Year’s, search for things to do together. What can we all enjoy – three women, 17, 26 and 62? We sign up for the craft offerings.

In the art studio we sift through mounds of colored beads, filling paper plates with our choices in glass, plastic, metal and ceramic. Patterns emerge – shades of blue, of black, white and silver, earth tones for me.

We don’t speak of my older daughter’s heartbreak, how her partner of five years left while she was at work. I don’t ask my younger daughter what colleges she applied to or about her last test scores. Yet these are the reasons we are here.

We sit across from one another at a rickety card table. We trade beads, offering them up like hors d’oeuvres. We string them on stretchy cords to make bracelets, which we will wear all week, rattling our wrists at one another.

Between exercise classes, meals, and spa treatments, we shape lumps of clay and affix yarn to boards sticky with beeswax.


Our last afternoon, we fashion prayer wands. We write our intentions for the New Year on slips of paper to be wrapped around sticks, then covered in yarn. We select feathers, charms, and herbs to dangle from the end.

“Some guests plant their sticks on the trail for a stranger to find,” says the man who guides us. “Or you can take yours home. The process is what matters and your intention.”

We sip hot cocoa with cinnamon and nibble sweet tamales. We share balls of yarn and advice – how to switch colors, how to attach the crackly spray of pungent herbs.

I ask my younger daughter what she wrote.

“That’s private,” she says.

“Yeah, Mom,” says the other, taking her sister’s side.

But her eyes are soft as she passes me the scissors. I flew across the country when her girlfriend left – when my daughter, who so rarely asks for anything, let me help her move.

At week’s end we pack. My older daughter lays her prayer wand on the coffee table. It won’t fit in her luggage. Now it sits in my office, alongside mine. I don’t remember what I wrote on that slip of paper, hidden beneath rings of blue, green and gold yarn.

Yet I know my intentions, for my daughters and for myself.


Arts & Crafts

I saw the handmade craft show sign in front of the old red community center by the shore of the lake. On impulse, I pulled into the gravel driveway, making my way between raindrops and puddles up the rickety stairs, into the building.

Years ago, when I first moved here and was furnishing a brand new home, the theme of the decade was “country” style, and I embraced it fully. What a treasure trove I found throughout the area – small cottages turned into gift shops, brimming with lace curtains, schoolhouse clocks, goose statues with ribbons around their necks, dried floral wreaths, homemade soaps, dipped candles.

On any given day, I could be found traveling from town to town, ducking into shops, reaping the abundance of handwoven tapestries, fluffy stuffed sheep, Halloween figurines perched on cabinet ledges. I brought these treasures back to the house, surrounding myself with the lofty ambition of making a home.

We built a family there. Though the house was new, its paint still fresh and carpet yet shedding from installation, the life inside was ancient, the essence of family that stretches back generations. Traditions, holidays, the aroma of roasts in the oven, windows steaming from baking and boiling, sounds reverberating up one story and back down, a house that breathed, sighed, groaned with life.

My childhood goal, to live in a house long enough to be able to find my way around in the dark, had come to fruition. The walls embraced me as I wandered in the moonlight, fingers touching the smooth banister, feet remembering the creak in each stair. Only the cat came out of the shadows, an escort as the rest of the house breathed steadily, slowly, given into dreams.

We watched our daughter bloom and grow, hands upon piano keys, tennis rackets, telephones, then, finally, clutching diplomas and awards, heading east to school. Her room a shrine: her teddy bear, Toby, still sitting on her pillow, waiting for her return, resignation in his button eyes. At dawn, I often walked into her empty room, sat at her desk, watched the sun peek over the rooftops, trying to feel her, so many miles away, then turned and strolled down the stairs, another day in an empty nest.

The animals remained. Stoic, loyal, captives behind locked doors, children who never grew up. I buried my face in their soft fur and breathed in the memories of so many days and nights behind these green shutters. Even now I hear the piano, and the barking of the slaphappy dogs as they careened around the wood floors, sliding and lunging, a carnival of noise, the echoes heralding change, a new dance card.


We left that house one day in August. Such heat that day, the movers begged to arrive at dawn. Like turtles, we carried our memories on our backs, up and into new closets, cabinets, and drawers, familiar yet foreign, settling in like goslings to our new nest. The animals didn’t question. They simply went along, rejoicing in a new yard, a new house, never looking back or morose. The gift of living in the moment transported them in and out of cardboard boxes as though they were taking the Grand Tour.

Our daughter was grown up and long gone. Married and busy, she was no longer around as we unpacked our things and tried to make sense of the new, barren garden and the quiet evenings, the piano gone with her, silence filling the rooms, our aging faces reflected in the windows.

We touched the calendar in surprise as the pages crumbled beneath our fingers, day passing day so quickly it was stunning. In the early hours, we spoke of golden years, and retirement, trips abroad, grandchildren, as we sipped our coffee and stretched out on the couch.

Then came the darkness, a lesion to the brain so swift and so merciless we hardly had time to understand that it planned to take him like a pirate and bury him by the sea.


And so today, I walked around the old wooden building, and the craft show. It smelled the same, of old attics and sweet caramels, knit caps and tallow. The floors were uneven, my feet braced as though on the ocean, keeping balance as I wandered from booth to booth. For a moment, I felt as though it were twenty years ago, the wares still so familiar, ageless handiwork, the murmur of the crowd softly reverberating against the dusty walls.

I gently touched a windowpane. The last time I peered through the glass, he was here on this earth. Alive, and healthy. He was here the last time I walked on these creaking, splintered floors. I touched the doorframe, and an old table in the corner. He had still been here, waiting at home for me to walk in, the dogs swirling about me like fish, splitting the air with their happy barks. I breathed in the moment, pretended he breathed with me and whispered, “It once was. It was so.”

I stepped back down the stairs, and into the wind, rain tracing my cheek like tears. I drove across the potholes and ruts back out to the road, trusting the car would find its way home.


Naked in the Mall

I wasn’t really naked as I shuffled, haltingly
around the outdoor art display in Cherry Chase.
And yet – my painting, my naked self,
hung in startling view on the walkway
for all to ogle, make fun of, deride.
Cheeks burned in unaccustomed blush.
Afraid to look full on, I focused sideways,
stealing quick-dissolving glances,
hovered well in back of other strollers
who might be eyeing with the thought of buying.
Wait – someone’s stopped to take a closer look.
OMG, I’ve got to flee. No, stay. See as a fresh eye sees:
a large canvas splayed in triangular shapes running amok
with brooms and brushes – paired in descending size –
aggressive push broom to intimate toothbrush.
Its background industrial green, horizontal pipe running through.
The floor wide-planked, weary, ending before it should.
Paint brush handle mis-attached, another homage to Cezanne.
A scruffy feeling over all: how over-used the hairbrush looks,
how bruised the slyly pointing dish brush handle.
Oops! It’s spilling off the canvas in search of privacy.
Of course it craves privacy: Blatantly sexual, erotic as hell.
Might as well be a poem by Anne Sexton with all its flaunting.
Look how flirtatious the broom shoulder,
how macho the scrub brush postures.
Shoe brush insouciant, curved, lying in wait to be seduced.
Even the zigzag netting of the whisk broom bespeaks action.
This painting is no twisted take on domesticity
swamped by the detritus of daily living.
Male and Female Created He Them its title.