Fiction

Who Gets to Tell the Story Matters, mixed media collage by Sherry Shahan

Knife in Shining Armor

What else do you want to know, Detective? You already got your evidence, let sleeping bastards die—isn’t that what they say, or is it something else, don’t expect me to remember the fine details when my mind’s so muddled, ask me what one plus one is, I dunno, can barely keep my eyes open. Ambien’s no better than the Lunesta, the two might as well be conspiring to keep me awake, I swear I haven’t had a decent night’s sleep since I married the beast seven hellish years ago.

 

I told you everything, admitted I stole the knife from the fish plant where I worked, past tense, a place I’ll probably never set foot in again, full of co-workers quick to judge, to turn their backs on me, good riddance to them, I say. And yes I knew how to use it, what do you expect after four years of twelve-hour shifts, knife in my firm grip, glistening under the blinding glare of fluorescents, that keen edge and double bevel ideal for the job, something I thought about every time I sliced through cartilage, stabbed below the gills, made that guillotine chop at the head and sharp slice from one end of the belly to the other, intestines, liver, heart, kidneys flooding the grey stainless-steel table, shades of purple and red flowing down the assembly line to the filleter, dressed same as me in a uniform and apron with that long front pocket, perfect for hiding the knife till I got it to my locker, slid it into my backpack, brought it home where I laid it on the false floor in the bathroom cupboard next to my birth-control pills, under the porcelain sink that he once slammed my skull against.

I wasn’t going to risk getting pregnant again with another daughter, risk having him do like he did with the twins, not hiding his lust. You’d swear I didn’t try hard enough to keep him satisfied, as if such a thing could be humanly possible, never once in the world did I refuse, not because I wanted him, God no, but only to keep him away from my girls who right now are probably crying for their mommy, eyes swollen, sweet voices hoarse from asking “What’s goin’ on, Grandma?” She staring bleary-eyed at nothing, can’t figure out why I’d do such a horrible thing to her son-in-law, he a saint in her eyes, always playing at his charade, Mr. Nice Guy, whose real self I couldn’t expose to any social worker, guidance counselor, teacher, mother, friend. They’d never believe me.

So now you’ll understand, Detective, why I called it my knife in shining armor—standing guard, ready to protect me and my daughters from this brute, savage, sadist. And just so you know, if it hadn’t been for them, I would have high-tailed it to the end of the earth, as far away as I could get. But I stayed for their sake, to shield them from him, from hurt, from shame, from trauma, from something that would scar them for life, all the while in the back of my mind picturing the day when one of them might have a tummy ache and need to stay home from school while Mommy’s slaving at the fish plant and he’s lounging in front of the TV, courtesy of workmen’s compensation for a nasty back injury after a fall off a scaffold—a fall that by all rights should have put him six feet under and would have if there were a just God with me on his long list of souls to be saved, and while he’s at it, save my girls from their grief, from someday finding out that their daddy was a monster who took such perverted delight in inflicting pain on their mommy, she holding everything together as best she fearfully could, telling herself there’s got to be a reason for it, maybe to do with karma, something awful one of her ancestors did that she’s paying for even though she knows she’s the last person on this planet who deserves to be accused of anything more than loving her children, meanwhile never knowing when he’d leave them motherless.

I’ll stop there, Detective, no point saying more. Your sly smirks tell me you don’t believe me one iota, same as no one believed the thousands, probably millions of other women nearly choked to death by a man. And you can be one hundred percent certain that’s what he intended to do—choke me. Talk about premeditation. For the record, make it crystal-clear that I acted in self-defense, and please don’t say a woman in my situation only has to jump up and scream, “This has got to stop.” Don’t say it because you can be darn sure no one’s ever going to listen to her, might as well be buried alive, suffocating, shouting “Help,” not caring about herself, only about the daughters she’ll do anything for, even if it means admitting guilt, knowing deep down that women are always found guilty, and didn’t I learn in catechism class in primary school about disobedient Eve, tempted by the serpent, by selfishness, tarnishing us all with original sin, with eternal pain and suffering when we, including you, all know she was only a scapegoat.

And that, Detective, is the truth. So help me God. True as this trail of bruises on my neck.

 

 

Author's Comment

In Nova Scotia, Canada, with a population of under one million, seven women have been murdered by their partners in the past seven months. I do not condone any form of violence; however, the woman in this story had no choice but to defend herself against a man who would have killed her.

 

 

The Story That Must Not Be Told:
A Dead Woman’s Memoir
by Deena Metzger
    In 1974, a German student, Ina Andreae, comes to Los Angeles to study -- and, later, commits suicide. Fifty years later, her brother Wolfgang Andreae visits Deena Metzger, who was Ina’s teacher, to ask Deena what she knew of Ina. What follows from that alliance is this novella, a fiction that is not a fiction, an unfolding emergence of facts, events, and stories, showing us how wounds going back to Hitler still affect us, and their startling resemblance to the grim political dramas of today. "...A heart-breaking, heart-enhancing ghost story of whirlwind proportions, an incantatory, ethical thriller masterfully rendered by one of our great contemporary visionaries." – Ariel Dorfman, author of Death and the Maiden and The Suicide Museum Available from Bookshop, Amazon, and your local independent bookstore. Learn more about Deena Metzger at deenametzger.net  

Bios


Elizabeth Murphy is a writer from Newfoundland now retired in Nova Scotia, Canada. Her second novel, The Weather Diviner, was longlisted for the 2025 BMO Winterset Award. Elizabeth's short fiction has appeared in Quibble Lit, Nixes Mate Review, MoonPark Review, Reckon Review, Tiny Molecules, and elsewhere. Find her online @ospreysview.bsky.social or at elizabethmurphy.tiiny.co
Sherry Shahan is a teal-haired septuagenarian who studies pole-dancing in a small California beach town. She holds an MFA from Vermont College of Fine Arts, taught a creative writing course through UCLA Extension for 10 years, and has been nominated for The Pushcart Prize in Poetry and Short Fiction and Best American Short Stories.

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