Fiction

Who Gets to Tell the Story Matters, mixed media collage by Sherry Shahan

Knife in Shining Armor

What else do you want to know, Detective? You already got your evidence, let sleeping bastards die—isn’t that what they say, or is it something else, don’t expect me to remember the fine details when my mind’s so muddled, ask me what one plus one is, I dunno, can barely keep my eyes open. Ambien’s no better than the Lunesta, the two might as well be conspiring to keep me awake, I swear I haven’t had a decent night’s sleep since I married the beast seven hellish years ago.

 

I told you everything, admitted I stole the knife from the fish plant where I worked, past tense, a place I’ll probably never set foot in again, full of co-workers quick to judge, to turn their backs on me, good riddance to them, I say. And yes I knew how to use it, what do you expect after four years of twelve-hour shifts, knife in my firm grip, glistening under the blinding glare of fluorescents, that keen edge and double bevel ideal for the job, something I thought about every time I sliced through cartilage, stabbed below the gills, made that guillotine chop at the head and sharp slice from one end of the belly to the other, intestines, liver, heart, kidneys flooding the grey stainless-steel table, shades of purple and red flowing down the assembly line to the filleter, dressed same as me in a uniform and apron with that long front pocket, perfect for hiding the knife till I got it to my locker, slid it into my backpack, brought it home where I laid it on the false floor in the bathroom cupboard next to my birth-control pills, under the porcelain sink that he once slammed my skull against.

I wasn’t going to risk getting pregnant again with another daughter, risk having him do like he did with the twins, not hiding his lust. You’d swear I didn’t try hard enough to keep him satisfied, as if such a thing could be humanly possible, never once in the world did I refuse, not because I wanted him, God no, but only to keep him away from my girls who right now are probably crying for their mommy, eyes swollen, sweet voices hoarse from asking “What’s goin’ on, Grandma?” She staring bleary-eyed at nothing, can’t figure out why I’d do such a horrible thing to her son-in-law, he a saint in her eyes, always playing at his charade, Mr. Nice Guy, whose real self I couldn’t expose to any social worker, guidance counselor, teacher, mother, friend. They’d never believe me.

So now you’ll understand, Detective, why I called it my knife in shining armor—standing guard, ready to protect me and my daughters from this brute, savage, sadist. And just so you know, if it hadn’t been for them, I would have high-tailed it to the end of the earth, as far away as I could get. But I stayed for their sake, to shield them from him, from hurt, from shame, from trauma, from something that would scar them for life, all the while in the back of my mind picturing the day when one of them might have a tummy ache and need to stay home from school while Mommy’s slaving at the fish plant and he’s lounging in front of the TV, courtesy of workmen’s compensation for a nasty back injury after a fall off a scaffold—a fall that by all rights should have put him six feet under and would have if there were a just God with me on his long list of souls to be saved, and while he’s at it, save my girls from their grief, from someday finding out that their daddy was a monster who took such perverted delight in inflicting pain on their mommy, she holding everything together as best she fearfully could, telling herself there’s got to be a reason for it, maybe to do with karma, something awful one of her ancestors did that she’s paying for even though she knows she’s the last person on this planet who deserves to be accused of anything more than loving her children, meanwhile never knowing when he’d leave them motherless.

I’ll stop there, Detective, no point saying more. Your sly smirks tell me you don’t believe me one iota, same as no one believed the thousands, probably millions of other women nearly choked to death by a man. And you can be one hundred percent certain that’s what he intended to do—choke me. Talk about premeditation. For the record, make it crystal-clear that I acted in self-defense, and please don’t say a woman in my situation only has to jump up and scream, “This has got to stop.” Don’t say it because you can be darn sure no one’s ever going to listen to her, might as well be buried alive, suffocating, shouting “Help,” not caring about herself, only about the daughters she’ll do anything for, even if it means admitting guilt, knowing deep down that women are always found guilty, and didn’t I learn in catechism class in primary school about disobedient Eve, tempted by the serpent, by selfishness, tarnishing us all with original sin, with eternal pain and suffering when we, including you, all know she was only a scapegoat.

And that, Detective, is the truth. So help me God. True as this trail of bruises on my neck.

 

 

Author's Comment

In Nova Scotia, Canada, with a population of under one million, seven women have been murdered by their partners in the past seven months. I do not condone any form of violence; however, the woman in this story had no choice but to defend herself against a man who would have killed her.

 

 

Carroll Gardens Story
by Sally Frances
  “An emotionally affecting story with excellent prose.” — Kirkus Reviews     It’s 1998 in Carroll Gardens, Brooklyn, where the close-knit Italian-American community clings to its traditions. The week of Halloween a shocking discovery shatters the festivities, when the body of an unpopular neighbor is found on her balcony, disguised as a holiday witch. Helper, a beloved local handyman, becomes a suspect in the ensuing investigation. When his own nephew becomes one of the detectives on the case, long-held secrets and buried traumas are revealed. The complexities of justice and family loyalty are explored from three perspectives in this captivating story, while this special neighborhood is depicted with warmth and wit. “The beating heart of Carroll Gardens Story is its wonderful depiction of the Brooklyn neighbourhood, which Frances brings to vivid life through her authentic, quirky and complex characters… a powerful journey about the importance of acknowledging and speaking the truth before real healing can begin. May this be only the first of many more Sally Frances books to come!” — Ann Lambert, author of the Russell and Leduc Murder Mystery Series “Sally Frances writes with clarity and emotion, and each character has a distinctive voice. Readers who enjoy The Lovely Bones by Alice Sebold will find Carroll Gardens Story similar in its exploration of trauma, healing, and the ripple effects of a mysterious death on a community, told through deeply personal perspectives.” — Carol Thompson for Readers’ Favorite Available from Amazon, Bookshop, Barnes & Noble, and your local independent bookstore.

Bios


Elizabeth Murphy is a writer from Newfoundland now retired in Nova Scotia, Canada. Her second novel, The Weather Diviner, was longlisted for the 2025 BMO Winterset Award. Elizabeth's short fiction has appeared in Quibble Lit, Nixes Mate Review, MoonPark Review, Reckon Review, Tiny Molecules, and elsewhere. Find her online @ospreysview.bsky.social or at elizabethmurphy.tiiny.co
Sherry Shahan is a teal-haired septuagenarian who studies pole-dancing in a small California beach town. She holds an MFA from Vermont College of Fine Arts, taught a creative writing course through UCLA Extension for 10 years, and has been nominated for The Pushcart Prize in Poetry and Short Fiction and Best American Short Stories.

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