Early piano (perhaps played in the time of Schumann or Grieg), photo by Sally Buffington

Former model, brilliant musician, and passionate animal lover describe and define only one woman—the lovely Helene Grimaud. A gifted pianist with a successful performing career, she founded the Wolf Conservation Center in South Salem, New York, and currently divides her time between the two commitments.

Born in Aix-en-Provence, France, Grimaud received her music education at the Conservatoire de Paris. I have selected her recording of the “Piano Concerto in A minor” by Robert Schumann because the performance offers definitive Grimaud. The work, completed in 1845 and the composer’s only piano concerto, is an ideal musical canvas for Grimaud’s intensity, poetic sensitivity to dynamic color, and subtle nuance.
 

Equally at home on the concert stage singing the early American folk song “Beautiful Dreamer” by nineteeth-century composer Stephen Foster and in the world of opera as Adalgisa in Vincenzo Bellini’s Norma (1831), the great American mezzo-soprano Marilyn Horne hails from Bradford, Pennsylvania. Her distinctive, rich, and creamy voice glows in the Foster, and the technical demands of the operatic literature are easily met by her remarkable vocal facility in the Bellini. She is well known for her interpretation of Adalgisa in performance with soprano Joan Sutherland in the opera’s title role.

The extraordinary Julia Fischer was born in Munich, Germany, in 1983. A rare musician who is equally gifted as a violinist and pianist, she is a remarkably versatile virtuoso on both instruments. She began her music education at the Leopold Mozart Conservatory in Augsburg and subsequently was admitted to the Munich University of Music and Performing Arts at the age of nine. 

Internationally prominent and active as both soloist and chamber ensemble performer, Fischer is one of the finest musicians of her generation, with deep musical sensibilities and brilliant technical facility. Her playing exudes energy and joy—qualities fully evident in  her performances of the Brahms D major violin concerto and the Grieg piano concerto that I have selected.

Old Stranger: Poems

by Joan Larkin

Poem after poem, Old Stranger unearths moments that shape a woman's life. The poet's eye is unflinching as she sees the past folded into the present. Her body is the ground of deep soul hunger. Her language is music.

“To discover the ‘old stranger’ is a knife, not quite, it’s an old piano. No, it’s a book about mortality and the debt of flesh, about love, rot, relationship, smiles that cut like knives through every seeing moment. It’s about painting. It’s a beaut. There’s so much masterpiece here. I mean, wow, this is why one is a poet all their life. To make this.” — Eileen Myles, author of a "Working Life"   “Joan Larkin’s much-awaited Old Stranger: Poems is a miracle of compression, mystery, and innuendo. Here is a poet for whom craft is an extension of wisdom. Whether revealing the archetype secreted within an object, or the elemental, persistent grief within a memory, Larkin expertly hones the edges of poems like a luthier shapes a violin.” — Diane Seuss, author of Modern Poetry   "Engaging with curiosity and often startled affection, this poet tells of how it feels to be both enamored and shaken with what connections reveal. Quiet and absorbed, one reads this most graceful of books until pow and one is alerted!" — Jody Stewart, author of This Momentary World: Selected Poems and Guest Editor, Poets of the Eastern States (Persimmon Tree, Winter 2024)

    More about Joan Larkin: www.alicejamesbooks.org/bookstore/old-stranger Available from Alice James Books, Bookshop, and Amazon.

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